Category: Music Review

  • Soak // Live at Parlour Skate Shop, Shoreditch, London #‎SOAKSK9SHOW‬

    Soak // Live at Parlour Skate Shop, Shoreditch, London #‎SOAKSK9SHOW‬

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    Soak: Live at Parlour Skate Shop, Shoreditch, London, February 17th 2015

    In a week when Bridie Monds-Watson announced the June release of her debut album on Rough Trade records, ‘Before We Forgot How To Dream’, the Derry native was spending her time combining her loves of skateboarding and music for some #‎SOAKSK9SHOW‬S, yup, gigs in skate parks and shops.

    I caught her set in Parlour Skate Shop in Shoreditch. With an early door time, myself and my bud headed to the venue and slipped through the front part of the shop, with its rows of skate tops and shirts into a room where Bridie was playing DJ.

    It wasn’t long before the room filled up and everyone manoeuvred themselves into prime viewing location. I think it’s about eight months since I last saw SOAK perform and since then, she has grown into a confident performer.

    SOAK opens with ‘Explosions’ and throughout her set, she eases from acoustic guitar to electric and back. By the second track of the evening, everyone is sitting on the floor, even though, by the time the set is over, we’re all stiff and have pins and needles in our legs, it makes for a far more intimate setting, more like a living room set. Shuvels and Sea Creatures are given an airing and if you’ve seen Soak before, you’ll recognise these songs.

    Bridie has a fantastic way with her lyrics and when she tells that ‘Blud’ is about a time she heard her parents fighting, it kicks in what a talented an mysterious wordsmith she is. There’s no doubt that the tracks she played tonight will all appear on ‘Before We Forgot How To Dream’ and she ends the evening with the song that will be the last track on the album, ‘Oh Brother’, which she tells us has been shortened on the tour to ‘Oh Bro’.

    SOAK is such a talent, with the album release coming up and gigs in New York and Australia announced and selling quickly, this is probably the last time we will see her in a venue of this size. Amazing talent, the world is her oyster.

  • Diary // The Late David Turpin // Live at Rich Mix, Shoreditch, London

    Diary // The Late David Turpin // Live at Rich Mix, Shoreditch, London

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    The Late David Turpin, Live at Rich Mix, Shoreditch, February 3 2015.

    In the venue brochure, The Late David Turpin was described as one of Ireland’s most unusual and accomplished artists. He is, not only working on his own brand of pop but also working producing other artists as well as music and soundscapes for theatre.

    The last time I saw The Late David Turpin live was about two years ago at the Fringe Festival (I think), he put on a show in The Project Arts Centre. The space was perfect for his art form, which also featured Cathy Davey, Ivan St John and Dave McGuinness from Lir (please correct me if my memory is fading) which falls neatly between theatre and pop.

    So the arts space in Rich Mix in Shoreditch was the perfect place for Turpin to grace the London stage for the first time. This was not only a chance to air some of his own music but also some songs Turpin has been writing for Harold Finley’s ‘Lulu A Monster Musical’.

    Despite, or perhaps because there’s a small crowd tonight, Turpin’s humour shines through the performance and this ads to his shy retiring personality. Tracks from Turpin’s back catalogue, including the recent ‘We Belong Dead’ album, live happily beside each other, with Turpin explaining that most of his music is about ‘Animals, death or sex, or a combination of the three.’ But there’s nothing morbid about his music, the underlying beats, gorgeous backing vocals and Turpin’s own timid vocals bring an hypnotic fragility to proceedings.

    The songs he has written for ‘Lulu A Monster Musical, which is based on the 1929 film ‘Diary of a Lost Girl’, are darker than the rest of his own material. As they are written specifically for theatre, they do seem more dramatic and he cleverly uses a different microphone (AKG C414 fact fans) going through a vocoder. This isn’t the first time Turpin and Finley have worked together, they worked on ‘Faithless Bitches’ so it will be interesting to see Lulu when finished.

    Turpin is an accomplished artist who knows his sound, knows his voice and the direction he wants to take with his music. Highlights include ‘Fur’ and the ever awesome ‘Bone Dance’. Days later, I’m still singing it’s catchy refrain. It’s a crime it hasn’t reached a bigger audience.

    He doesn’t play live a great deal but when he does, The Late David Turpin is a must see.

  • Diary // Motorcycle Display Team // 12 Bar Club, Denmark St, London

    Diary // Motorcycle Display Team // 12 Bar Club, Denmark St, London

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    Motorcycle Display Team, 12 Bar Club, Denmark St, London, October 8th 2014

    Denmark St. in London is full of history. The home of Tin Pan Alley, it was basically Music City Central, full of recording and rehearsal studios and home to NME and Melody Maker. Now, it’s home to music shops and the still standing 12 Bar Club.

    If you haven’t been to the 12 Bar Club, let me describe it for you. It’s a rock bar, gritty, grimey, dark, it probably hasn’t seen a fresh coat of paint since the 1970’s but it has great humoured bar staff. You’re not going to bring your Ma there and once you get over how awful the loos are, you’ll have a great night! It’s a bloody rock bar from Christ’s sake!

    Anyway, I got to know Motorcycle Display Team a few years ago, I played their music and interviewed them on my radio show. To get to where the band are playing, you walk through the bar, out the back to what you think is going to be a store room with stone walls, perhaps it was but tonight it’s a rock venue.

    Motorcycle Display Team start and the first thing that grabs me is how much more rock they sound here than on their debut album ‘Captatio Benevolentiae’. The band prove themselves to be talented musicians, Morgan is a really good consistent drummer, Matt is such a good bass player, most bands could one ever dream of having some half as good as him and Steve’s guitar playing and vocals bring it all together. Good gig, I was really surprised with how good they were. Check them out if you can.

    MDTsetlist

  • Review: The 1975 at Alexandra Palace, London

    Review: The 1975 at Alexandra Palace, London

    The 1975 At Alexandra Palace, London, October 1 2014

    I’ve been waiting to see The 1975 for a while. For one reason or another, I hadn’t had the opportunity to get to see them live until they played the last night of their tour in Alexandra Palace in London.

    Not only was this a first to see the band but also an opportunity to check out Ally Pally as a concert venue. I’ve been there before even while there have been soundchecks going on and to interview bands but never during an actual show.

    Y.O.U. and Circa Waves opened for The 1975, during their sets I took the opportunity to explore the venue, which itself does not disappoint. After passing the ticket check point, you pass into a huge open area with food and bar stalls and a cute green ‘grass’ section in the centre to sit, eat and drink, everything from noodles to burgers and in the main auditorium, even a pizza bar. The queues for loos are really well controlled with the guys loos getting a ladies sign for the night. Plus there’s also free wifi. So all thumbs up for the venue.

    So onto the band. Circa Waves leave the stage and the build up for The 1975 begins. A low bass drone slowly fills the auditorium and the smoke machines have been set to extreme. It’s just after 2130 when the band come on to the stage and unfortunately my heart sinks.

    With a maximum capacity of just over 10000, the main auditorium is a big room (standing only) and unless you’re near the front of the venue, you’re not going to see The 1975. It’s a really silly, stupid move not to have a big screen at the stage in a venue of this size. The Libertines could do so at their show in the same venue a few days before.

    The set kicked off with ‘The City’, and while musically they band were on point, it was impossible for them to connect with anyone near the back of the venue. People were dancing to the music while not even facing the stage, they could have been at home with the stereo on.

    Unfortunately for me, this was a big hurdle to overcome. I loved the The 1975’s album and during the course of a set of nearly 90 minutes, it became apparent that the band would have a kick ass festival set with a decent amount kick ass songs that the audience could sing along too. However, here, the set seemed stretched just a little too far. Matt Healy mentioned a few times on stage that The 1975 were working on a second album too, that should add another couple of hits to a set that unfortunately seems to lag in parts.

    The audience loved the well known / singles with standouts being Robbers, Chocolate and Heart Out but all the energy was at the front of the venue. What made things slightly more annoying was when singer Matt Healy asked the crowd how many were there seeing them for the first time. Probably half the audience. He mentioned that then previously, that section of the crowd would have only seen the band on a screen, so he asked the audience not to use their cameras for the next song. Unfortunately, thanks to the lack of screen at the stage, the only way anyone could see the stage or what was going on was to hold their phones aloft and have a look.

    I understand that the band may not have wanted a screen to take away from their onstage lighting set up, but if you’re playing to that many people, at least you owe them enough to let them see you on stage, even if it’s on a screen. The tickets for the show were £21 plus booking for the next time add another fiver onto that and get a screen lads.

    As many of the audience start legging it down the hill to Alexandra Palace train station, the band play their final song of the night ‘Sex’, which should have been, (no pun intended) in your face from the opening notes.. unfortunately, perhaps due to a technical issue it takes a bit of time for the wow bass factor to kick in.

    No matter how well the Manchester band played or how full the venue was, it doesn’t make this a brilliant night, much to my disappointment. I genuinely love the band’s music but unfortunately the live experience is all about getting a connection, a buzz, something that didn’t happen for me in Ally Pally.

    I’m sorry I didn’t get to see them in February in The Olympia in Dublin. I still bought a tshirt though.