Category: Music Review

  • Horslips: Live at The Olympia Review

    Horslips: Live at The Olympia Review

    Horslips - bannerOriginally Published on Goldenplec.com

    Horslips: Live at The Olympia Theatre, December 14 2012

    It’s the weekend before Christmas and Dublin city centre is in the party mood, revelers in festive garb merrily make their way along the streets. Indoors, Horslips have embraced the festive season and gig goers heading to their Olympia Theatre show are treated to a little Christmas card and Santa hat as they enter the venue. This small gesture sets the good natured vibe for the night as the Horslips ‘Drive the Cold Winter Away’.

    Santa Hat and Christmas CWhen the music kicks off, it does so thanks to ‘Trouble Pilgrims’, (The Radiators from Space minus Phil Chevron). Fronted by Pete Holidai, who playfully introduces the band with a pun on a Horslips song, ‘Yes, that’s trouble with a capital T’. It doesn’t take long for the seated audience to warm to the band. Holidai looks every inch the rock star and his vibrant red jacket makes him stand out on stage. As the band play ‘Second Avenue’, the manner and urgency with which they deliver their material shows that this is a band, despite their years together, still enjoy making music. They’re not presumptuous either, expecting everyone to know their material, introducing each song and making both long term and new fans feel at home. It can sometimes be hard to gauge a reaction to an act in a seated venue but the band are obviously feeling the good will from the audience as Holidai says ‘Don’t ye wish they took the seats out now’.

    Trouble Pilgrims mix it up onstage with Holidai and Steve Rapid swapping lead vocalist roles. The five piece are joined by Charles O’Connor’s daughter. Aphra for ‘Kitty Rickitts’ and her vocals work beautifully. There’s a happy dischord in this track, making you feel slightly ill at ease while with the help of a theramin is exactly as it should be, perfect.

    The set seems to rise all the time, with tracks like ‘Sunday World’ followed by ‘Enemies’ proving The Radiators from Space to be one of Ireland’s greatest ever bands. A cover of ‘Them’s Gloria gets the crowd going even more before the band finish their set with ‘the first punk single ever in the Irish charts’. The band are so personable, it’s hard not to like them as Steve says ‘If you don’t believe us you can look it up on the internet’. The uptempo ‘Television Screen’ does exactly want every band wants, leaves the audience wanting much more. Very enjoyable set.

    Chants of ‘Horslips’ move around the venue as the audience wait for the band to come to the stage. When they do, all the band come to the front of the stage for what is described by Jim Lockhart as an acoustic set. The stage set up is pretty traditional, tin whistle, mandolin, guitar, bass and Ray Fean on bodhran and drums. ‘Drive Away The Cold Winter’ was a 1975 album from Horslips, which featured Winter themed songs. Tonight, for the first time, the show is being interspersed with tracks from the album, starting with a special twenty minute traditional set.

    ‘Drive The Cold Winter Away’ is Horslips most traditional work, where other albums embrace rock music, here we are treated to a brand of music which wouldn’t be out of place as a soundtrack to a TV show such as Game of Thrones. As the band play, a huge screen appears on the back wall on depicting old video footage. The band know this mightn’t be everyone’s cup of tea with Barry Devlin saying ‘If you haven’t got a pint or a geansaí, you can feck off to the bar now.’. ‘The Piper in the Meadow Straying’ features a ‘Deck the Halls’ style melody which the band get the audience to sing the ‘Fa La La’ refrain while ‘Ny Kirree Fo Naughtey (The Sheep ‘neath The Snow) is sung in Manx by Jim Lockhart. Not only are we being musically entertained but it seems, the audience is also being culturally educated. (Never thought I’d say that about a gig. ) Adding the Winter theme, snow falls onstage and balloons are released onto the crowd, just as the electric rock part of the show kicks off with ‘The Power and The Glory’.

    Ray Fean is now behind is usual kit at the back of the stage and the band now are in regular rock formation, not forgetting Charles O’Connor’s brilliant fiddle playing. The audience are now in full party mode, singing the refrain to ‘Mad Pat’ loudly. There’s something about this track, it’s definitely seventies prog-rock and it seems that Horslips have more than dabbled in the idea of concept albums, they’re a Celtic rock Pink Floyd.

    ‘Furniture’ almost confirms this with great vocal harmonies reminiscent of Floyd. It’s no surprise that the musicianship tonight is world class, Charles O’Connor’s mandolin and Johnny Fean’s guitar playing are both inspiring. The intricate arrangements of each instrument show that Horslips are more than just a rock band. The beat builds up to an end with a line from ‘Drunken Sailor’, complete with keyboard electro squiggles.

    The party is in full swing now, seats are abandoned in favour of standing and dancing and Aphra O’Connor joins the band briefly. Behind the music, subtleties are happening on stage, during ‘Charolias’ each member is literally given their time in the spotlight, highlighting their musical ability. Johnny takes over lead vocals on ‘Speed the Plough’, again the vocal harmonies are impressive as four vocal lines are sung across the front and dry ice fills the back of the stage.

    ‘Trouble with a Capital T’ gives the audience the Christmas pressie they were looking for, that could only be followed by the awesome ‘Dearg Doom’. The band are giving it all, the audience are giving it all. This is pure entertainment and a great way to end a set.

    It’s Christmas so of course there’s an encore. Keeping the Winter theme going, the last track from the ‘Drive Away The Winter’ album, ‘When a Man’s in Love’, is played. Its not over yet though, The Trouble Pilgrims are back on stage for a Christmas bash as Aphra O’Connor sings some Christmas favourites. Confetti and streamer bombs pour from the ceiling covering the Olympia Theatre crowd. A great night’s entertainment as well as a night of cultural learning, one hell of a Christmas party.

    The Trouble PIlgrims
    >>> The Trouble Pilgrims
  • Uncle Frank: Irresistible Me EP – Review

    Uncle Frank: Irresistible Me EP – Review

    UncleFrankCover

    Let’s face it, side projects can be real fun. A little break away from your main musical outfit lets an artist spread their wings and reveal a side that we may not of known about. Frank Benbini is drummer with Fun Lovin’ Criminals and along with Naim Cortazzi and a band of merry-men make up Uncle Frank, a band who fuse hip hop lounge and funk influences.

    The EP opens with ‘Irresistible You’, a slow smooth track with Benbini stepping out from behind his kit and taking over the mic. The track builds quite a vivid picture of a Sunday morning with a loved one and features some beautifully placed sound effects with brilliantly add to the vibe. Benbini’s vocals are backed by layers of harmonies and the track remains subtly subdued for great effect.

    ‘Desperate Town’ is an obvious stand out track and highlights Benbini’s vocals with an intense delivery to match the production of the song. Starting out with Benbini’s vocals, subtle keys and bass, ‘Desperate Town’ slowly builds to a understated refrain in contrast with the vocal performance of the verses. Terrific song.

    The tempo is lifted and a little funk is added to proceedings with ‘Gravy Baby’. Given the talent involved in this project, including Boy Kid Cloud on Drums, it’s not surprising that the production is top notch. Clever string arrangements, the main vocal line backed with a female vocal and a easy relaxed rhythm make this memorable.

    There’s always room for a bit of fun, and ‘Poonani’ does just that. It’s sexy and fun and just a little bit naughty, it kinda makes you want to get up and do some slow dirty dancing type stuff, or maybe that’s just me. Either way, it’s catchy as hell.

    This is a really enjoyable EP and highlights the different sides of Uncle Frank really well. As the EP cover suggests, this is a smooth sexy bed of roses, with an added dash of fun. Check it out.

  • Palma Violets: Live at Bruxelles, Dublin – Review

    Palma Violets: Live at Bruxelles, Dublin – Review

    PalmaVioletsDecember 4th 2012: Bruxelles: Dublin

    Typical, just typical, you get to a venue for a much hyped band and your phone dies, this means you don’t get any photos or videos of Palma Violets.

    Downstairs in Bruxelles, the crowd has already formed and been entertained by Gangs.The venue policy of not serving alcohol while the bands are performing means in-between acts the bar is bustling and smokers have vacated the premises. It doesn’t last long though, just before Palma Violets kick off, the venue is at capacity.

    Palma Violets are fresh from their weekend at Other Voices and the choice of Bruxelles as a venue is an interesting one. It has more warmth and light than it’s northside rival, Academy 2 but it too suffers from a lack of stage, meaning the first couple of rows of the audience have prime location.

    The band make their way to their instruments through the crowd and the youth appeal of this band is instantly apparent as they are greeted like heroes. Their sound lives somewhere between The Libertines and the post punk sound of The Vaccines.

    While there’s nothing outstanding new about their sound, Palma Violets carry out their musical task with such vigor and passion, it’s hard not to take note. Sam Fryer’s garage rock vocals are helped along but the masses who sing along with every word. Bassist, Chilli Jesson, seems to have a desire to get close to every member of the audience, throughout the set, he darts from the stage to the centre of the assembled crowd, instigating moshes to his heart’s content. The pinnacle of the set is the ultra catchy ‘Best of Friends’ from earlier this year, deafening cheers from the audience show their approval. The night wouldn’t be done though, without some crowd surfing. Yes, downstairs in Bruxelles, Jesson is up to his old tricks, putting the heart crossways in the bouncer on duty, who he even manages to get to crack a smile.

    Palma Violets have a hell of a lot of potential but perhaps need a little gentle hand of a producer to guide them in the right direction. If they can harness the passion and energy, these guys will definitely be ones to watch.

    Photo from Facebook © Richard Gilligan

  • The 1975: Sex EP – Review

    The 1975: Sex EP – Review

    1975banner
    Manchester’s 1975 haven’t wasted any time in getting the follow up to the Facedown EP which was released in August. Facedown featured previous Tune of the Week track The City. While The City was instantly accessible the rest of the EP seemed minimal atmospheric and deliberate as if the band did not want to get them pigeonholed on the basis of the lead track.

    ‘Intro/Set 3’ starts with layered vocals against a synth sampled atmospheric backdrop. There are still elements of how the ‘Facedown EP’ progressed but here they have taken the production a step further sampling and looping vocals. The atmospheric feeling continues in ‘Undo’, with it’s breathy vocals and effected drum pattern giving off an urban vibe. There’s a whole lot more to The 1975 than their radio play suggests and it’s interesting to see how the two sides of the one band exist together. Both varieties are good and memorable, it’s just like they have two different styles.

    Although the band have been together for about ten years, the members are still in their very early twenties and this just could be them evolving as they record. The title track ‘Sex’, has garnered radio play across these Isles and it’s not surprising why. It’s and uptempo radio friendly track with grungey guitars, telling of the exploits of encounters in ‘the back of my van’ and repeats the line ‘She’s got a Boyfriend anyway’. Yeah, we know the drill you dawg! Expect to hear this at your local indie disco this weekend.

    The EP finishes with ‘You’, another track where the 1975 are in rock band mode. The track builds from vocals, drum beat and guitar hook and plateaus, leaving you waiting and hanging for the major kick. This track is about sex too as our leader singer says “It’s not my fault if I’ve fcuked everyone here’. The track rhythm changes and builds yet again to reveal a musical rock crescendo with guitars drums, strings and vocals combining. Then comes the blankness, yes at 26 minutes and 10 seconds, ‘You’ obviously is home to a ‘secret track’, ‘Milk’. This track could be filed next to ‘Sex’, it has nineties feel to it and where the vocals on ‘Sex’ seem more urgent, here the vocals are very reverb washed, reminiscent of the early days of britpop.

    This is an enjoyable journey through the musical magpies of Manchester, this is only an EP though, I’m not saying they’ll go post dubstep on an album but I can’t wait to see what they’ve got in store.

    As a side note: I’m looking forward to seeing how they can pull this off live and take all influences and put them into a full coherent set. Won’t have long to wait, they’re playing:

    December 11th – Academy 2, Dublin
    December 12th – Oh Yeah Centre, Belfast

    Tickets are available now at ticketmaster.ie


    Listen on Deezer for the secret track Milk