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  • Sound City: Film Review

    Sound City: Film Review

    SoundCity_bannerDave Grohl has been a hero to many music fans for over twenty years, drummer in Nirvana, sometime member of Queens of the Stone Age and rock god in Foo Fighters, he now has turned his hand to film directing. In this case, it’s the documentary, ‘Sound City’, which follows the life on the infamous Sound City studios in Los Angeles and more importantly the Neve sound desk which helped capture some of music’s iconic sounds. It also shows Grohl to have great vision in the film making process.

    The story of Sound City is told through staff and musicians who recorded there, including Tom Petty, Stevie Nicks, Mick Fleetwood and Rick Springfield to name a few. It also charts the struggle many studios encountered, not only Sound City, as the switch to digital recording took hold. Putting it nicely, Sound City looked like a shithole but the energy and chemistry in the place lead to the birth of musical gems there.

    When Sound City closed, Dave Grohl bought the Neve console and took it to his studio. He then got some of the musicians who had previously recorded through the board to come to his studio and put something new down, including a hero of Grohl’s, Sir Paul McCartney.

    Here’s the nerdy bit.. as a music lover and an all out audiophile, I loved this documentary. I loved the historical element, recognizing many of the albums that were recorded at Sound City. As someone who has been lucky enough to record on 2inch analogue tape, knowing the recording process and hearing what Dave Grohl said about getting the chemistry back into the music, I adored it. Neve consoles are world famous, they have a fantastic reputation and rightly so. This console was the centre of Sound City. When it was installed, business boomed, but as with many things in the digital age, recording onto tape was no longer financially viable.

    The documentary isn’t just about analogue vs digital. Yes, it broaches the subject of the authenticity of digital editing and musical manipulation. Later in the film it cleverly shows how Trent Reznor uses digital music manipulation as a tool rather than a crutch. What ‘Sound City’ captures beautifully are the ‘had to be there moments’. Through good vibes in a studio space, chemistry within a band and with a producer, whether in the original ‘Sound City’ or later in Grohl’s studio when the ‘Sound City Players’ record. It brings us back to why we originally fell in love with music.

    This is an interesting and informative documentary and for me has reignited my love of recording. Now I want to go to Dave Grohl’s house and play with his toys.

    Sound City is available to stream on volta.ie and is running exclusively in the Light House Cinema in Smithfield from March 15th.

    Watch the trailer:

    The Album: Sound City Players : Real to Reel is out now, listen to ‘ You Can’t Fix this’ with vocals from Stevie Nicks.


    Listen on Soundcloud

  • Culture Cafe on RTE 2XM: Show 85

    Culture Cafe on RTE 2XM: Show 85

    Hello!, so yesterday’s show wasn’t broadcast as planned and to you the listeners and to my guests who had given up their time, I apologize. As the show is prerecorded, this was out of my hands.

    The show will be broadcast on Sunday night at 9pm. Thanks to my guests, Sean Hawkey, Marika Hackman and Pearse McGloughlin and Enda Reilly of Urchin Collective. Also Urchin Collective have a gig tomorrow night March 8 in Bewley’s in Grafton St, listen to the podcast and head down to the gig.

    So, here’s a peek at what you should have heard / will hear on Sunday night:
    1. DJ Flip & Freezemaster Slick: Crossroads
    2. The Spikes: Specialist
    3. Chat with Sean Hawkey about his exhibition ‘Cotton on to Fair Trade’
    4. Kiernan McMullen: Intermission
    5. Chat with Marika Hackman about her new mini album ‘That Iron Taste’
    6. Marika Hackman: Retina Television
    7. Chat with Marika Hackman
    8. Marika Hackman: Cannibal
    9. Chat with Enda Reilly and Pearse McGloughlin of Urchin Collective
    10. Pearse McGloughlin: Bright Star
    11. Solar Taxi: Parcels
    12. Bastille: Pompeii
    13. Reid: Wake

    Culture Cafe 85
    Thanks for your patience, this was out of my control. Don’t forget you can listen to previous shows on the RTE Player. The show is broadcast every Wednesday at 1400 GMT and is repeated every Sunday at 2100 GMT. You can also subscribe to the Culture Cafe podcast on iTunes.

  • Swim Deep: Live at Academy 2 – Review

    Swim Deep: Live at Academy 2 – Review

    SwimDeep-Academy2-Banner
    This was originally published on Goldenplec.com

    With a handful of singles and an album due in May, Birmingham’s Swim Deep made their way to Academy 2 on March 1st, for their debut Irish performance. The indie dream pop quartet have been steadily building a following in their native land, that seems to have spilled over to Ireland as a predominately teen audience waited in rows along the front of the stage.

    First off though, were Fallen Rule, a four piece from Dublin, who themselves, have an album ready for release later this month. They put in a solid performance, with lead singer and guitarist, Scott Glennon, giving a little Liam G attitude and at one point, seemingly having a staring match with his microphone. He is forgiven though as he occasionally plays his guitar with a violin bow. Although the audience are there for Swim Deep, Fallen Rule do an excellent job of converting assembled and following a stage/audience chat, dedicated ‘Understand’ to a member of the front row. Fallen Rule set the stage well for the night, with a rock sound with folk and prog infusions and layered vocals, the album should be interesting.

    Before Swim Deep touch their instruments, the four piece with their keyboard player, Johnny, take part in a pre gig hands in ritual. Going by the cheers from the audience, they are looking forward to the performance. Solid danceable beats with swirly guitar sounds fill the venue and leave us caught somewhere between the hippydom of the late sixties and showgazing sounds to get lost in.

    B-Town’s finest do more than just stare at their effects pedals though and the audience react in unision to every rise and fall in their music, from standing still to jumping, hands in the air in an euphoric state.

    Naturally, the singles immediately stand out from the set, with the bass line from ‘Honey’, shaking the venue to it’s foundations. There’s not a whole lot of talk between songs, the well rehearsed band going straight from one track to the next. The first notes of current single, ‘The Sea’, is greeted by shreiks from the audience. A seemingly slower start than the recorded version until the vocals kick in and the tempo picks up. A drum solo from Zach Robinson gets an extra cheer and cleverly kicks into the where the vocal hook is sung by Austin Williams. Alongside the band’s instrumentation, Williams’ voice makes them memorable with his ‘devil may care’ delivery. The audience love this track and going on their reaction could be one of the tracks of the year.

    For a young band, they are on the right path to get converts to their sound and as they progress the standouts in their set will no doubt grow. Unfortunately knowledge of their bluesy Led Zeppelin cover ‘Down By The Seaside’ seems to have been lost on the audience, perhaps as it has slower tempoed intro to their own material.

    As Swim Deep are about to end the evening with ‘King City’, Williams addresses the crowd saying ‘it could have been sh1t but you made it great.’ As the pounding drum beat of the track takes hold, a member of the audience takes the step forward onto the stage to dance with the band and shake their tambourine. Her innocent movements herald an onslaught of dancers and stage invaders and in seconds there are more audience members than band members onstage. This unfortunately but understandably cut ‘King City’ short as microphone stands were toppled and from clicks on the PA, it sounded like cables had been pulled.

    Enter security and band crew to clear the stage. Williams takes to the mic and seems quite baffled by what just happened but declares that they’ve ‘started it so I guess we’ll finish it’. The band get a second attempt and get through ‘King City’ in full this time before the band thank the audience and leave the stage. As they do so, the band are engulfed by the female portion of the audience.

    A good night’s entertainment and with this being Swim Deep’s first headline tour, a really jump off point. A Friday night, good music and stage invasions, rock n’roll eh? What more could you want.

  • Bastille: Bad Blood – Album Review

    Bastille: Bad Blood – Album Review

    Bastille Over the course of the past year, London band, Bastille have released four singles and two mixtapes, in a calculated lead up to the release of their debut album, ‘Bad Blood’. Originally a solo project of front man by Dan Smith, the band play what can only be described as ‘pure 21st century pop’. Where many artists who use electronica and sample elements rely on them too much, Smith & Co. have subtly brought their songwriting and the strength of his vocals to the fore to produce radio friendly tracks which are a million miles away from the overproduced manufactured pap of today.

    Kicking off the album is the current single ‘Pompeii’, layers of vocals open the track before stripping back to Smith’s voice before a sonic explosion of vocals, instrumentation and percussion lines run around your head like a prized fighter. Alongside this title, it seems the writer maybe influenced by history and myth with names like ‘Daniel In The Den’ and ‘Icarus’ and the latter having an Renaissance style a capella intro. Wherever it is Smith gets his inspiration from works and throughout he shows he has cleverly developed an accessible, storytelling writing style.

    Bastille have carved out their own sound, fueled by the vocals and harmony lines but the instrumentation hasn’t been neglected. Throughout the album clever arrangements bring different instruments to the fore, strings on ‘Things we lost in the Fire’ and old analogue synth sound on ‘The Weight of Living’. The wall of sound created gives your ears a little party in your headphones.

    With the singles, ‘Pompeii’, ‘Flaws’ , ‘Overjoyed’ and the title track ‘Bad Blood’, the album instantly packs punch and the majority is seriously danceable. ‘Oblivion’ though, gives a chance to show a more tender side to Bastille and without overpowering reaches the high notes with believable vulnerability. This is a definite contender for a future single. Indeed, the same could be said for ‘Icarus’ or ‘Laura Palmer’, a positively dramatic song which rises and falls before coming to an orchestrated conclusion.

    Bastille have achieved quite a feat with this debut. They’ve produced songs with memorable hooks and refrains and incorporated classic production techniques to bring the out the best in each track. They’ve also shown us good songwriting shines though. Bastille have produced a classic pop album for a new generation.

    This was also published on Goldenplec.com