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  • Interview // Staying ‘Uppbeat’

    Interview // Staying ‘Uppbeat’

    Interview // Staying ‘Uppbeat’

    Uppbeat is one of the most exciting new music prospects in Ireland, with a string of radio hits, including ‘2020’ with DJ John Gibbons. He’s also an extremely likeable character. What you see is what you get. Someone proud of where he’s from, with an amazing desire to create music.

    Pandemics won’t stop us, I caught up with Uppbeat, while being responsible and socially distancing.

    Who are you and where are you right now?

    My name is Uppbeat. I’m an alternative pop artist from a place called Clewbay in Mayo. I am currently staying in Galway.

    You were in the process of moving to London when the pandemic hit, but you’ve just moved to Galway. We all know life can change at any time but how much has this made you reevaluate where you’re life and music are going?

    Its been really positive for me actually. Having to come back from London was a really bad buzz for me, to be honest, but it quite suddenly made me realize that I was very lost and have since put myself back on track to work towards where I need to be going. Will be back in London as soon as this is all over though I think!

    You released 2020 with John Gibbons earlier in the year. When we get to the ‘new normal’, any chance we can get this ‘Uppbeat’ track to be the anthem? (pun intended)

    Would looove that! ahaha It’s nice to see some people have really found a kind of positivity and hope in that song during the pandemic. It’s almost as if it’s given some people a wee bit of hope. Which is of course all I’m really trying to do!

    How did you get involved with Blindsided Records? You’ve released a couple of singles through them now.

    Hahaha great question, very random actually! I emailed John Gibbons off of an impulsive decision. I have like ADHD or whatever so I get really worked up and frustrated when I’m on my own. So, I was having one of those kinda days and it made me like think outside the box and kind of pushed me to go send the email asking if he wanted any vocalists for tracks. Then I went back to feeling shit for the rest of the evening. A couple days later I had a lovely response to my email from John. When he heard my music, he responded with some of the most incredible feedback I have ever gotten. Both Andy and John seemed to really grasp what I’m trying to do without me saying very much. So because of that we kind of hit it off I guess you could say and decided to do a couple tunes together.

    ‘Seasick’ is your latest single, you’ve made quite a creative video, making the best of what you could in lockdown. Who did you work with on the video?

    Hahaha! Yeah one of my favourite videos now I think, So my friend, Matthew Fox, who works with Exhale, shot the clips of me. Then, I asked my fans and friends to send in videos of them listening to the song etc and Nathan Sheridan edited it all together with some lovely wee illustrations from Matthew and illhippie.

    Your music straddles pop, hip hop, and a little dancehall. What albums by other artists, should we check out to see where your music journey has come from?

    Most definitely, I don’t see genres. Only sounds and things that need to be expressed. I think artists are scared to express who they truly are and that makes me sad really that as artists we cant empower ourselves to transcend above the social musical norms that have been set in place.

    Free 6lack by 6LACK
    American Idiotby Green day
    Psychodrama by Dave
    Mura Masa by Mura Masa
    The Prodigy and blackbear in general are definitely some key influences.

    Off the top of my head thats what comes to mind but I consume a very high volume of music.

    ‘Hold Me Close’ spoke about mental health and all your music has an element of social commentary in it. How is, or will, the pandemic effect your lyrical content and alongside your creativity?

    I have very mixed feelings about the pandemic. If I could say anything it would be please prepare.. things are about to get very fooking bad. Once this ends, the recession will be tragic. I read the other day that the suicide rate in Ireland rose by 57% in 2008 because of a recession that was created by the banks.

    My message would be that we MUST be there for each other once the downturn comes. We must hold each other up as we can’t rely on our government to make sure we don’t push ourselves over the edge. I pray we can pull through the recession without the lose of life we experienced in the last one. We must hold each other close and not let the pressure of the financial world swallow us.

    As for my lyrical content I will continue speaking the truth of myself and the people I represent.

    You’ve embraced social media and gone headlong into it. Is it all you we see or have you learned to censor what comes out? How do you stay authentic?

    I pretty much just get the urge inside me to want to connect with my audience and share myself with them a lot, so thats when I post. I don’t really play by the rules of algorithms too much. As I go on, I hope to show more and more of myself to them.

    Usually, the only time I would censor or think twice about something is if it will invade the privacy of the people I love or cause pain to someone who is a fan. In regards to myself, I don’t care how much I show you I am me and it’s my job to be transparent with the people who connect with me. Really, all I have is the people that connect with me so it only makes sense to put my all into them.

    How do you get your hair to stand up like that? Any hair product endorsements? By the way, I know you get your hair shaped every two or three weeks, lockdown must be a killer?

    Hahaahah the million euro questionnn! I’d say it’s all in the hair cut. My barber,@luccus_thubarber, does my hair and always keeps me looking interesting ahaha. He also lives with me, so I must be the only lad walking around Ireland with a decent haircut at the moment.

    Tell us a secret?

    I’m obsessed with Irish mythology and I’m named after the warrior, Fionn MacCumhaill. Which I think is absolutely deadly! If you look closely in all of my cover arts from Seasick onwards, you will notice a subtle Celtic theme.

    Any chance of a selfie?

    UPPBEAT selfie for nessymon

    Find UPPBEAT Online

    You can follow Mayo’s finest export on Instagram, Facebook and Twitter. Listen to his music on Spotify.

    Feature photo © Luccas Griffin 2020

  • Hang On To Your Hats: It’s MDT!

    Hang On To Your Hats: It’s MDT!

    Q & A // Hang On To Your Hats: It’s MDT!

    I first met Motorcycle Display Team in a pub in Drumcondra, in Dublin. That was about eight or nine years ago, we chatted for my radio show. I move to London and find out that they rehearse in the same part of South East London that I live in.

    Occasionally, our paths cross but that hasn’t happened in a while. So right now was a great opportunity to catch up with the threesome, aka MDT, and find out about life in lockdown, about a certain Britney Spears cover and get a few musical tips for Deptford.

    Hello, MDT, who are you, where are you and how are you doing?

    Steve: Wandering round in my own head wondering where everyone has gone, shrugging then mixing a drink.

    Drew: Hi, I’m Drew – MDT’s current bass player (at time of writing). I’m at home in London Bridge slowly driving my wife up the wall with an unending barrage of questionable musical ideas.

    Morgan: I’m Morgan, at least I think I still am. I’m in my house in Westcliff On Sea, south Essex. I guess I’m as good as can be, all things considered

    You’ve covered Britney’s Toxic in lockdown, have you been keeping a weekly rehearsal schedule or how have you been keeping the creativity going?

    Steve: Creativity is fighting its regular battles with the regular old distractions, but the biggest challenge is finding some physical privacy to make my little mistakes.

    Drew: Like everyone else in the known universe, we’ve been meeting up on Zoom. We’ve actually turned the chat room into a serviceable pub.

    Morgan: We tried to have a rehearsal online, but the latency made it impossible. I downloaded some programme to beat the latency and it killed my laptop. Completely destroyed it. When lockdown started, I found myself forcing myself to write and finish off songs etc, but I wasn’t very successful.

    Since we did the Britney thing, I’ve taken that pressure off myself. I try and play a bit here and there, but with all that’s going on, my head isn’t in the right space and I’d hate to just churn out something for the sake of it. As Steve said, finding physical privacy in this situation is very difficult- my wife and kids don’t appreciate me playing the same thing over and over, while swearing a lot. And as Drew said, we just find drinking together online easier right now.

    You’ve released a couple of albums, your last was ‘Yours Probably’ in 2018. Are you writing or planning more original material?

    Steve: Yes, a new crop of songs we think is easily among our best work. I suppose we’ll be recording it when we all get out.

    Drew: We were actually due to record some new tracks in March when the apocalypse happened. The only upshot that springs to mind is that we’ve had a little more time to tighten the screws on what we already have ready to go.

    Morgan: I can’t wait to record this new album once this whole period passes. I’m hoping to get one more song included/finished before we go to record, I’m just having a job convincing the lads on it. Also, Drew has been sending lots of ideas around, which we’re bouncing around ideas on.

    You’re big boys with jobs and families, does their influence cross into your songwriting?

    Steve: Of course. You have to write a little of what you know else you’re really just singing from your sphincter. That said, I haven’t written anything about lockdown yet. My instinct is that there is depth there, but it needs to be carefully teased out, or else you end up with another trite piece of tut for the pile.

    Morgan: We have a new song called Mexicans. The genesis for that song was me trying to wake my son Jude for school. I just started this chant with his name, thought ‘I like that’, swopped his name in the chant for ‘whoaho’ and the song took off from there. Also, I regularly make mistakes when I’m trying to play other peoples’ songs as my kids always distract me when I’m playing at home. Often those mistakes turn into ideas for MDT songs.

    What your favourite of your own songs that you’ve released and why?

    Steve: Yours Probably, the title track from our last album. It’s long and detailed, and when we play it live, if it has gone well by the second chorus it feels like we’re really expressing joy to be alive together on that stage.

    Drew: Of the released stuff, I’d have to say that my favourite MDT tunes to play are either ‘Erosion’ from the last album or ‘Laughing Cavalier’ from the EP just before that. However, we’ve got one coming through called ‘Divide & Rule’ that is a whole bunch of fun to play.

    Morgan: Ice Age or Yours Probably. I can’t wait to record and release Divide and Rule.

    You’ve had a couple of different bass players over the years, if you don’t play music full time and life gets in the way sometimes with moving and jobs, how hard is it to keep the passion and enthusiasm going?

    Steve: It’s like most things you need to summon energy for. It’s not a one way pleasure cruise. You need to turn up. You need to do your homework. You need to jam stuff even when it feels like a dead end. You can go through weeks with no progress. You keep at it till you get a breakthrough or a different perspective. When you’ve done the hard work you’re then capable of performing and you can begin to enjoy it. When you see others expressing pleasure in your work your enthusiasm gets a boost.

    Drew: We’re only a couple months short of it being a year since we did the support gigs for The Quireboys up north! I think a huge factor in keeping it fresh since then is the fact that we don’t just talk about MDT. We’re all big film/music/anything remotely creative fans, so we’re looking out and listening for new things to share with each other.

    Morgan: I think the fact that we’re always writing and trying out different things is what keeps it going. While it might not be visible to anyone who might keep an eye on us, there’s always something afoot. Another thing that keeps me going is the very slow increase of people who listen to our music. If you release music, you hope someone will listen to it and appreciate it. We’ve seen that start to happen, albeit very slowly, in the US and Canada. One of our old singles ‘Brickwall’ has been getting lots plays in that part of the world of late.

    Morgan, you’re Irish and previously played in bands in the Dublin area. What bands did you play with?

    Morgan: I’ve played with lots of Dublin bands that didn’t make it out of a rehearsal room, but the one that anyone might know of was a band called Zeel. We were around from 2000-2002. I was told our single ‘Best Things’ got into the Irish charts. It got lots of airplay on Phantom FM and good old Dave Fanning gave us a few spins. In hindsight, we could have taken it much further, but we didn’t have a clue what we were doing and we broke up just as it was getting bigger. Oh well. As Joey the Lips said ‘this way it’s poetry’. Or something like that.

    How did you find the transition to life in the UK?

    Morgan: It’s that long ago now, I’m not sure I can remember it being a thing. All I do know is I was very excited and up for anything. I was very hungry to explore all the live music London had to offer and what that could lead to.

    As an Irish person, you have a huge safety net in London. If you’re ever homesick, there’s loads of Irish people, pubs and other things going on. I guess finding my own niche took some time, but I think anyone moving to any new country would say the same thing.

    Once upon a time, I met you guys in a rehearsal studio in Deptford to chat for The London Ear. Can you recommend three bands or musical delights from that area that we should check out?

    Steve: The Invisible are locals and they’re well worth checking out, especially their eponymous debut album. Royce Wood Junior too. He has new music out soon which I’m really looking forward to.

    Drew: I wasn’t in the band back then, but I’d still like to recommend The Amersham Arms as a place that seems to attract a really eclectic mix of acts. It’s literally over the road from New Cross station and I don’t think I’ve ever been in there without seeing something or someone interesting (in the best way possible).

    Morgan: A band we know, like and that use the same rehearsal space as us is Glue Men. If you fancy a night out in Deptford, I strongly recommend the Bird’s Nest. It’s hands down one of my favourite venues to play and have a pint. As Drew said, Amersham Arms is also good for a pint and they sometimes have live music too.

    What are you most looking forward to doing after the lockdown? Could be playing a venue, going to work, off to the pub, a quirky shop? you tell me.

    Steve: The pub. Simple.

    Drew: I miss my nieces and nephew, so I’ll probably make them take me out for a drink on the Southbank whilst I tell them stories I’ve already told them at least twice before.

    Morgan: I’m chomping at the bit to play the drums properly with the lads. I have an electronic kit, but it’s nowhere near as satisfying. And yes, I miss pubs. A lot.

    How are you all coping with life in lockdown, getting into gardening or baking? What have you learned about yourself?

    Steve: I need to make cocktails a more permanent part of my daily.

    Drew: I made a chilli oil (with homegrown chillies!) the other week that came out way better than I’d presumed it would. Mucho picante, senor. Mucho picante.

    Morgan: I’ve learnt that I’m bored stupid of myself and that William Burroughs was a massive misogynist.

    Pick an uplifting song for us that makes you want to dance!

    Steve: Humans by Super Best Friends Club

    Drew: ‘One Thing’ by Amerie. It’s as if God herself got to Day 8 and said “Let there be an absolute banger”.

    Morgan: Chanson Populaire by Claude Francois- just try and sit still when that chorus kicks in. Also, a track called Love by Unloved.

    Any secrets you’d like to tell us?

    Steve: I can’t in good conscience tell a secret and be the architect of its demise.

    Drew: I like to lip-sync to songs and send the video to the MDT chat group. I most recently did ‘My Sacrifice’ by Creed.

    Morgan: I’m desperate for my pet budgie Brett to like me. He f**king hates me

    Send us a selfie?

    MDT in 3 selfies arranged in a square - nessymon

    Find Motorcycle Display Team Online

    You can find MDT online on Facebook, Twitter, InstaInsta and listen to the band on Spotify.

  • The London Ear // Show 292

    The London Ear // Show 292

    The London Ear: Show 292 // Sistas Are Doing It For Themselves

    Hello from London, I saw a social media post online during the week about an Irish music playlist that was full of testosterone and not one female voice in it. Lots of people were firing off ‘hate’ at the playlist makers. No, it’s not right to leave out the ladies from playlists. If music is good and made by men or womxn then if it’s good enough to be on the radio / playlist, it’s good enough.

    But, I do believe, as a feminist, if I can do something to balance the ills, and show support for Irish womxn who make awesome music, then I will. I could easily have filled the show ten times over, but this is a start.

    If you like this idea, maybe I’ll do something like this every couple of weeks.

    The London Ear: Show 292 // May 16 2020 // Playlist

    Here’s what happened on today’s episode of The London Ear.

    1. CheryM: Weird Ones
    2. Pillow Queens : Brothers
    3. Halli: Fcuk Fear
    4. Amanda St James: Made Myself a Name (Arvo Party Remix)
    5. Denise Chaila: Copper Bullet
    6. Laoise: Seriously
    7. whenyoung: The Prayer
    8. Loah: Nothing (Elaine Mai Remix)
    9. Fia Moon: better days
    10. AE MAK: Love Flush
    11. Fears: two
    12. Havvk: Operate
    13. SIIGHTS & JYellowL: Blue Skies
    14. Dreaming of Jupiter: Beyond a vibe
    15. Biig Piig: Switch
    16. Meljoann: Assf The Boss
    17. Gemma Hayes: Come Over

    Listen On Demand to The London Ear

    Thanks for listening, The London Ear broadcast on DAB radio, Saorview, nationwide in Ireland and outside Ireland you can listen online. You can listen to the show again on the RTÉ player including all previous episodes. The show is broadcast every Saturday at 1300.

  • Adam Wedd Explains ‘Who We Are’

    Adam Wedd Explains ‘Who We Are’

    Adam Wedd Explains ‘Who We Are’

    There are times when we find ourselves getting to know new people at different points of our lives. Adam Wedd was one of the first musicians I got to know, initially through work, after I moved to London.

    Looking at the six years years or so since then, I’ve been amazed and totally impressed with how much his songwriting, musicianship and performance has grown.

    Despite being stuck in the middle of a pandemic, Adam decided to release two new singles ‘Who We Are’ and ‘Madman’. It’s time I introduced you all to this talented Englishman.

    Hello Adam Wedd, where are you and how the hell are you?

    Hey, I’m writing this from the Chiswick based studio I work at, I’ve got a little bit of cabin fever, but generally I’m ok! Thanks for asking!

    If Smash Hits were to describe you in a paragraph, what would it be?

    My comedian friend Pete Bazely calls me the following… An old Bob Dylan / a Young Ed Sheeran. or the illegitimate love child of Gordon Ramsey makes Pop Folk storytelling music.

    Most people decide to release one single at a time. You’ve released two. Madman and Who We Are. What was the reasoning behind that?

    Well, the main reason was because I was meant to be playing live shows in Europe and the USA which all got cancelled . This twinned with the fact I have so many unreleased tunes I’m sitting on, we thought we may as we try and connect with people digitally via streaming and also give people some new songs to enjoy alongside all the classics during lockdown.

    The other reason is that the 2 songs we released are so incredibly different from each other. One is a pop reggae indie tune about how all of humanity , despite our differences actually need each other and Madman is a grime, trap pop tune that tells of an jealous ex lover trying to win back your new partner – like I said – they’re a little different sounding! ha!

    You’ve been working with Blacksmith on these, it’s a much different style to your music from a couple of years ago. It was much more singer songwriter style. How did the evolution come around?

    I’ve always loved collaborating with people from all genres, it’s usually for fun and behind closed doors but Blacksmith and I worked together or writing a few songs for pitches for record labels whilst we were in Sweden and we hit it off then , so for the last year we thought, why not – let’s put something out together! It’s been a combination of Tileyard & Metropolis studios, I was writing on the road the whole time I was on my USA tour and also Blacksmiths home studio set up.

    I’ve seen some of your live shows and ‘Who We Are’ always seems to be a huge collaboration with other musicians and vocalists and a fantastic party tune. Is collaboration part of you as a musician and artist?

    Humanity done well is collaboration right? So I feel it’s the same with most songs. Not all songs. But most. I know that as a person I have so many blind spots, so I always love finding people who are better than me and working with them.

    You did a Masters in Tileyard in songwriting last year. How much has that changed how you approach your work?

    It completed turned my working style upside down. I’ve always enjoyed being a writer and seen music in an airy fairy romantic sort of way. Writing and working with people at Tileyard completely challenged my work ethos and writing method. I got the chance to work with so many great people. As a musician, so often you are working on your own – the great thing about rare places like Tileyard are that it’s ultimately a community. We all work better together.

    What’s more of a long term goal for you – writing and performing your songs yourself or potentially having other people record your music?

    I’ve done lots of writing for others, I’m really proud of a song called ‘Karma’ by We Architects feat Tana, check it out on the YouTube or Spotify, I’m proud to have been involved in writing that one.

    Writing songs for myself or with other people , it’s all trying to tell a story and make sense of all our life experiences. Long term goal for me is I’d LOVE to put out an album of my songs and I’ve got a few other cheeky goals up my sleeve too 😛

    You’ve been pretty prolific releasing singles over the past year or so. Is this leading to an album or a collection of sorts?

    Hopefully there should be an EP at some point. I’ll put out an album someday, its such a big statement, y’know? and it’s expensive too! ha I’m just focussing on making enough money to buy bread and milk right now 🙂

    You’ve been releasing music for a few years now. What advice would you give your younger self?

    Always keep writing, work with as many writers as possible, it helps you hone your on style and craft. Also , that the best songs come from life, not from chasing chart hits! ha! That I believe one will eventually follow the other. We all look for genuine authenticity , I think it’s the same with hit songs and records.

    The Covid-19 pandemic has obviously changed a lot of things for musicians and artists, what new routines have you embraced?

    I try and run everyday, I’ve been working a bit , so been good to do that and run to the studio and back. Sometimes I stop to smell flowers. Yoga is something I try and do ( Youtube with Adrienne) keeps me flexible and zen.

    We’ve been gardening in our house which has been super fun and super creative ‘cos we don’t have a garden! So we’ve made our roof into something from Day of the Triffids! Also great for the soul! Been making soup. Been watching far too much Netflix and oh yeh, writing songs most days and working out which songs should go to who and if I’m keeping them on which ep 🙂

    After lockdown, what venue are you looking forward to playing?

    Shepherds Bush Empire / Wembley Stadium. In that order, probably with a 1000 shows in between.

    You’re based in London, tell us about three new London artists that we should embrace?

    Tom Speight , Tom Bright , Maki Flow . They are all amazing!

    Tell us a secret?

    I’ll tell you mine if you tell me yours? Ok, I’ve recently starting thinking my house mate is super cute (oops, I’ve said too much ?)

    What skills have you picked up during the lockdown?

    We’ve been gardening in our house which has been super fun and super creative ‘cos we don’t have a garden! So we’ve made our roof into something from Day of the Triffids! Also great for the soul! Been making soup. Been watching far too much Netflix and oh yeh, writing songs most days and working out which songs should go to who and if I’m keeping them on which ep 🙂

    Send us a pic?

    Adam Wedd gives the V peace sign to the camera, he's standing in front of a piano

    Find Adam Wedd Online

    You can find Adam on Facebook, Twitter and Insta. You can stream his music on Spotify.