Tag: book

  • Review // The Commitments at The Palace Theatre, London

    Review // The Commitments at The Palace Theatre, London

    TheCommitments

    Tuesday June 9 2015 –  *Contains spoilers*

    I’ve never read the book but I do remember the first time I saw the film. I saw it in Navan, Co. Meath in the Lyric Cinema on Brewers Hill. At the time, many people could relate to it in Ireland. Unemployment was rife, it was pre-mobile phones, if you didn’t see your mates, you could always meet them down on the dole queue on a Tuesday. Alan Parker’s 1991 film captured it perfectly.

    That’s the way Ireland was and The Commitments, combined with a fantastic soundtrack, summed what everyone felt. We all wanted to escape. Fast forward, twenty four years, I live in London and I go to see the stage show in The Palace Theatre.

    Director Jamie Lloyd does pack a punch with his production and once the curtain raises, the first reaction is Wow! The ‘Barrytown’ high rise flats aka Ballymun (5 minutes walk from where I lived in D11 in Dublin) is recreated on stage in different levels. Different parts of the flats pull out to reveal the Rabbite household and the local pub are cleverly pushed back to create the square in the centre of all the flats. The Rabbitte household is really well executed with the front room, stairs and Jimmy’s bedroom all on show.

    You can’t beat a bit of Dublin humour and The Commitments provides that. It’s impossible to recreate everything from a book or film and at the beginning of the show, it feels a little rushed to get to a certain point in the story by a certain time. But this adds to the comic feel. The laughs are there as well as the ‘Say it once, say it loud, I’m black and I’m proud’ line. I’m always going to compare this to the film, there’s no way around it. It’s a little disappointing that the love triangle / square between Joey the Lips and the three Commitmentettes isn’t drawn out a little more. Unfortunately this leads to Joey not being the smarmy git he is in the 1991 film. The authenticity of Dublin life is kept intact. The stage show remains true to Dubspeak in all it’s fucking glory.

    But The Commitments is all about the music and it doesn’t fail to disappoint, although a couple of the big songs from the film are placed at the end of the stage show. If you like your soul music, you’ll be in heaven. It’s loud, it’s in your face and the energy from the stage is just electric. Heaven knows how they managed to do it eight times a week. Denis Grindel excels as the slightly cocky band manager, Jimmy Rabbitte. Brian Gilligan commands the stage with his vocal performance as front man and nutter, Deco. However, it’s a pity The Commitmentettes don’t get more time to shine, they’ve bloody good voices.

    Overall it’s a great night’s entertainment, the set is fantastic and I couldn’t help but laugh my bag off at the ‘Heroine Kills’ banner in the community centre, ‘The Hot Press journalist’ and ‘Eejit Records’. These people are speaking in my tongue. It’s Dublin through and through, a little rough round the edges but ye love it to bits.

    *Keep an eye out for ticket deals, we got ours for £20 each and our seats we upgraded when we got to the theatre. Nice work!

  • Culture Cafe on RTE 2XM Show 73: 12/12/2012

    Culture Cafe on RTE 2XM Show 73: 12/12/2012

    So it’s 12/12/12.. 13 days to Christmas. On this week’s Culture Cafe I had the privilege of speaking to Conor Horgan about his book ‘New York City’, Evan Walsh from The Strypes and Niamh Beirne from PETTYCASH.

    Here’s what happened:
    1. DJ Flip & Freezemaster Slick: Crossroads
    2. Civil Twilight: River
    3. Chat with Conor Horgan about his book, ‘New York City’
    4. Angel Haze: New York
    5. Eric McGrath: Til I Get Back
    6. Croupier: Carol of the Bells
    7. Chat with Evan from The Strypes
    8. The Strypes: Blue Collar Jane
    9. The Hunter: On and On
    10. Chat with Niamh Beirne of PettyCash
    11. Eye Emma Jedi: Sin
    12. Saint Motel: Puzzle Pieces
    13. Embers: Hollow Cage

    Thanks for listening, don’t forget you can listen to the full show again on the RTE Player. The show is broadcast every Wednesday at 1400 GMT and is repeated every Sunday at 2100 GMT. You can also subscribe to the Culture Cafe podcast on iTunes.

  • Arnold Schwarzenegger: ‘Total Recall: My Unbelievably True Story’ Trailer

    Arnold Schwarzenegger: ‘Total Recall: My Unbelievably True Story’ Trailer

    govenatorWhen a star of the magnitude of Arnold Schwarzenegger is releasing their autobiography and given his action hero history, it seems fitting that he would make a trailer for the book.

    The Govenator’s book. ‘Total Recall: My Unbelievably True Story’ will be released on October 1st and I’m quite looking forward to reading it. Oh Fun Fact for you, Arnie follows me on Twitter

  • Bram Stoker’s Dracula

    Today I was given a task of writing about what I thought of Bram Stoker’s Dracula.

    I thought the book was very slow and took a long time to build up. I also think that our 21st century view of Vampires may have influenced what I thought of the book!

    How could Bram Stoker’s original version of a vampire be as appealing or exciting as Joss Whedon’s?

    Dracula was first published in 1897, some 112 years ago.. During the book it sometime seems like its older than that and sometimes younger. The speedy telegram system threw me off on occasion.

    I also felt that the ending was a slight disappointment, the slaying of the vampire didn’t have the electric atmosphere of Whedon’s Buffy the Vampire Slayer which I have come to love.

    Two reasons I think, firstly Bram Stoker didn’t have access to zany special effects, hell, were special effects even around in 1897? Secondly I think what Bram Stoker’s book did was plant the original ideas of how Count Dracula survived and moved about. In the time since the books publication, the ideas that Stoker sowed the seeds for, had grown and were shaped into the ‘vampire’ we now are familiar with.

    Why was it so scary then? Probably because the idea was new, we have television to develop the ideas for us and leave them on the screen for us where as with a book its the reader themselves who build up a mental image of the characters in a book.

    Religion also had a bigger grip on society then than it does now in these islands! The thoughts of being undead or wandering the afterlife would have scared a lot of people.

    I also think that as the book is written in diary form, the first person all the time though from different points of view, this would have given a more realistic feel. It gives the impression as the reader gets into the book that these are notes which were found, secret almost, that you shouldn’t be reading.