Tag: concert review

  • Diary // The Late David Turpin // Live at Rich Mix, Shoreditch, London

    Diary // The Late David Turpin // Live at Rich Mix, Shoreditch, London

    TheLateDavidTurpinRichMix

    The Late David Turpin, Live at Rich Mix, Shoreditch, February 3 2015.

    In the venue brochure, The Late David Turpin was described as one of Ireland’s most unusual and accomplished artists. He is, not only working on his own brand of pop but also working producing other artists as well as music and soundscapes for theatre.

    The last time I saw The Late David Turpin live was about two years ago at the Fringe Festival (I think), he put on a show in The Project Arts Centre. The space was perfect for his art form, which also featured Cathy Davey, Ivan St John and Dave McGuinness from Lir (please correct me if my memory is fading) which falls neatly between theatre and pop.

    So the arts space in Rich Mix in Shoreditch was the perfect place for Turpin to grace the London stage for the first time. This was not only a chance to air some of his own music but also some songs Turpin has been writing for Harold Finley’s ‘Lulu A Monster Musical’.

    Despite, or perhaps because there’s a small crowd tonight, Turpin’s humour shines through the performance and this ads to his shy retiring personality. Tracks from Turpin’s back catalogue, including the recent ‘We Belong Dead’ album, live happily beside each other, with Turpin explaining that most of his music is about ‘Animals, death or sex, or a combination of the three.’ But there’s nothing morbid about his music, the underlying beats, gorgeous backing vocals and Turpin’s own timid vocals bring an hypnotic fragility to proceedings.

    The songs he has written for ‘Lulu A Monster Musical, which is based on the 1929 film ‘Diary of a Lost Girl’, are darker than the rest of his own material. As they are written specifically for theatre, they do seem more dramatic and he cleverly uses a different microphone (AKG C414 fact fans) going through a vocoder. This isn’t the first time Turpin and Finley have worked together, they worked on ‘Faithless Bitches’ so it will be interesting to see Lulu when finished.

    Turpin is an accomplished artist who knows his sound, knows his voice and the direction he wants to take with his music. Highlights include ‘Fur’ and the ever awesome ‘Bone Dance’. Days later, I’m still singing it’s catchy refrain. It’s a crime it hasn’t reached a bigger audience.

    He doesn’t play live a great deal but when he does, The Late David Turpin is a must see.

  • Jameson St Patrick’s Live: Bombay Bicycle Club, Jape and The Cast of Cheers – Review

    Jameson St Patrick’s Live: Bombay Bicycle Club, Jape and The Cast of Cheers – Review

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    March 17 2013. Bombay Bicycle Club, Jape and The Cast of Cheers – Live at The Academy

    I’ll be honest, for the past number of years, I’ve avoided the Dublin city centre on St Patrick’s Day. So when I got an invitation to Jameson Live, I was curious to see what was going on but slightly hesitant at the thoughts of facing St Patrick’s night in the city.

    Heading into The Academy, where the event was taking place, it was quite apparent that this was an event, it wasn’t just a gig. The entrance had been transformed and walking down the hallway, myself and my companion were handed a drink and a burger token each. Nice touch. A pass to the cordoned off bar upstairs meant we got a nice seat on the balcony and a perfect view of the stage, which had been fantastically transformed for the night. A stone like wall with an embedded video screen behind where the band would play was flanked by wooden barrels on either side, very old school distillery. As the crowd waited for the first band to start. We were offered the aforementioned burgers, my meat eating companion is still talking about how good it was.

    The Cast of Cheers were first up and it takes the crowd a couple of tracks to get into it with the band noting that the crowd were ‘a reserved bunch but a great bunch’. Throughout their set, the band show themselves to be competent musicians but Kevin Curran stands out as a potential drumming god. Alongside recent singles ‘Animals’ and ‘Trucks at night’ they play some new material with ‘Closest Friend You Have’ having an early eighties ska reggae feel. They finish their set with the title track from their album, ‘Family’. Good solid performance, looking forward to hearing more of their new material.

    Jape are up next and add to what is gearing up to be a line up with extreme danceability. The audience are now well on course for a good night and ‘Movement’ immediately wins them over with it’s seriously contagious rhythm and refrains. In line with the day that’s in it, the three piece, lead by Richie Egan, have some green hats thrown in their direction, which are worn for a time. Jape are a solid act and have their stage show down to a fine art with the perfect balance of songs in the right place at the right time. ‘Floating’ grabs everyone’s attention but it’s understated intro but when the guitar lines kick in, the whole place kicks off. Finishing off the set with ‘The Oldest Mind’ and ‘Scorpio’, Jape leave the audience hanging, wanting more. Fantastic set from one of Ireland’s premier musical acts.

    With two greats acts having already graced the Academy stage and a waiting audience already partying, Bombay Bicycle Club have big shoes to fill to continue the trend. I shouldn’t have worried, from the opening notes of ‘How Can You Swallow So Much Sleep’, the audience were in the palm of the London band’s palm. Live, the band’s numbers swell to six for certain songs, availing of extra keys/guitar and Amber Wilson’s vocals. Lead singer, Jack Steadman, has a certain look leading me to think that he went to public school and was always one of the good boys. It seems good boys can put on quite a show. Even for outsider who may not be acquainted with the band, and that can happen at events like this, Bombay Bicycle Club are immediately accessible. Even if you don’t know all their songs or lyrics, you can dance to the band, handy in converting new fans.

    Having a back catalogue of three albums means BBC’s set is turned into something of a greatest hits, with songs from their first single, ‘Evening/Morning’ to last year’s ‘Beg’ getting an airing. It’s also a testament to how their career has progressed since their debut EP release in 2007.

    Stand out tracks for this punter were ‘Lights Out, Words Gone’, with its slow disco feel and ‘Ivy and Gold’, and uptempo track which defies you not to move. The band themselves describe it best as they introduce it with ‘Are you ready for a hoedown?’ Dublin apparently was, as the crowd goes nuts. Like The Cast of Cheers, Bombay Bicycle Club take the opportunity to play some new material and promise that as soon as the album is done, they’ll be straight back to Ireland. ‘Carry Me’ is an uplifting dance track, putting BBC in a place where the have become indie music’s Faithless. More of

    As Bombay Bicycle Club leave the stage, they’ve lived up to expectations and together with Jape and The Cast of Cheers have provided us with a great night’s entertainment. As an event, the Academy looked amazing, it was a well run event and the burger idea begs to question why more events don’t have food available, especially over the course of a long night. If Jameson continue to grow their ‘Live’ nights with events of this caliber, they’ll be known for more than their whiskey.

    Jape

    TheCastofCheers

    Thanks to Jameson and Burrell.ie for the passes and the photographs of the night.

  • Michael Kiwanuka: Live at The Sugar Club Review

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    Michael Kiwanuka deserves every good word said about him. His soulfulness oozes from him and puts many musicians who rely heavily on samples and triggers to shame. Michael performs backed with a five piece band and being totally honest I completely fell in love with the percussive sounds. Having a dedicated percussionist really adds so much to a live sound. Can’t wait for the album ‘Home Again’, which is out in March. Really good gig and a delightful opening act in The Staves. This review was first published on Goldenplec.

    It’s Saturday night, the show is sold out. When the artists on the night are billed as ones to watch, it would be easy to get caught up in hype. Neither Michael Kiwanuka and his support act, The Staves say much on stage. They let their music do the talking.

    The Staves are a trio of sisters, Emily, Jessica and Camilla Staveley-Taylor hailing from Watford. They begin as the venue is filling up, with clusters of people taking notice. By the end of their set though, it was a slightly different matter. As you’d expect with sisters, their voice match up perfectly for three part harmonies and tonight they are joined by a drummer and bassist which add an extra depth to their sound.

    They start their seven song set with ‘The Motherlode’ and immediately its easy to see why they are creating a buzz. Their harmonies showcase their voices but their melodies and instrumentation showcase the songwriting. Switching from acoustic guitar to electric and back and the addition of mandolin to some songs also shows off their songwriting and their musicianship. (more…)

  • Brother: Live At The Academy 2 Review

    BrotherIt’s a while since there have been some real bad boys on the indie scene. Then along came Brother. Cocky, loud mouthed and pissing people off before they’ve even released anything. Claiming that they only will have singles on their album, the Slough outfit came to The Academy 2 on Tuesday 18th April. This was the perfect chance for them to quash the haters.

    The venue was remarkably quiet as The Mighty Stef played a solo acoustic set. The Dublin troubadour played some tracks from his current album ‘TMS & The Baptists’. Stef’s sense of humour was full steam ahead stopping mid song as the gig photographer took a few shots. The Mighty One reminding the photographer of the best side to shoot a larger fella. Very entertaining, pity more people didn’t see him. (more…)