Tag: Live

  • Review // Hannah Schneider // Live at St Pancras Old Church, London

    Review // Hannah Schneider // Live at St Pancras Old Church, London

    HannahSchneider-StPancrasOldChurch - nessymon.com

    Hannah Schneider, St Pancras Old Church, London, June 11 2015

    St Pancras Old Church always looks beautiful, whether it be in the depths of winter and you’re lining up in the cold outside or, if like today, it’s a beautiful summer’s evening. But the fading orange light during the summer gives a very different vibe to the full darkness illuminated only with street lamps of winter.

    Inside, the light spills across the empty floor. All the chairs have been removed except for some placed along the walls and some lit candles add to the vibe. People are chatting and smoking outside in the sunshine but when Hannah Schneider takes to the stage / altar, they quickly pile in.

    Hannah is on tour in support of her third album, ‘Red Lines‘, her first to get a proper release in the UK and this is final date of her tour. Red Lines is a well produced album, with full sounding pop songs. Tonight, however, Hannah is playing solo using 2 vocal microphones, a keyboard and enough loop and effects pedals that many guitarists would kill for.

    When an album sounds as lush as Red Lines, it can be hard to even come close to that sound. Schneider cleverly builds each song with layers of samples and vocals, giving new life to the songs. Watching Hannah piece each song together is hypnotic and by the end of the opening track ‘For The Trees’, there are murmurs from the attentive audience noting just how good Schneider is.

    Schneider easily makes friends with the crowd with her in between song banter. She describes ‘Dreaming Kind’ as a football anthem for sensitive types. She claims that she’s touring solo due to the economic crisis. Then as she produces an electric ukulele to play ‘Life is Easy’, she tells of how her friends asked why she couldn’t just play a guitar ‘like a normal person’, which raises a laugh.

    She finishes off her set with two tracks from her self titled first album. When the bass kicks in in ‘This is Goodbye’, it makes a security light rattle in the fourth century church. ‘Raindrops’, the final song of the evening fills the holy place with beats, bass sounds and layered harmonised vocals, everything perfectly in place, finished off with the addition of a stylophone.

    A really good performance from Hannah, a nice introduction to her catalogue of music and going on the audience reaction, new fans gained. If anything, she should have had a longer set. But you know the saying ‘Leave them wanting more’, yeap, she did that.

  • Diary // Shura – Live at Bleach, Brighton // Jun 2 2015

    Diary // Shura – Live at Bleach, Brighton // Jun 2 2015

    Shura In Bleach Brighton photo © nessymon.com

    Stardate 02062015, time 0645, it’s the day you wake up and remember you’ve bought tickets to a gig in Brighton. Me and my buddy Alex had purchased tickets to go see Shura.

    I’ve been playing Shura for a while now on the radio and Alex raved about her Village Underground gig in March so there was no Indecision on our part to get tickets. Yes, I know that was a terrible pun. Plus, attendees of these couple of dates around the UK would also get their mitts on some free limited edition vinyl of a Warpaint-Steez remix of 2Shy, pressed on one side only. #YummyVinyl

    So working in London, myself and Alex legged it out of the office at 5.15 and got the Gatwick Express to Brighton, which I have to say, was a quite relaxing journey, fuelled by music discussion and goss. We arrive in Brighton, find the venue and find an eaterie.

    We go to the venue, get our hands on our vinyl and pop out to say hi to Shura and get our vinyl signed (fangirl or wha?). We head back upstairs, hopefully proving we’re not psychos and wait for the show to begin.

    It’s a small venue, maybe 200 people in there. The band have added an extra guitarist for live duties. The short eight song set starts with ‘Figure it Out’.

    It’s Shura’s first time playing in Brighton and the crowd react well to the opening notes of ‘2Shy’, ‘Indecision’ and ‘Touch’ but for some reason never completely let loose.

    In reality, these shows are probably good run throughs for festival season and set lists change and evolve. Included in today’s is a Fine Young Cannibal Cover, She Drives Me Crazy, while a good cover, if someone is driving you crazy, you need a little more Grr!

    Honourable mention must go to the guitar at the end of the second track of the night, ‘Kids n’ Stuff’, if Top Gun needed a new piece of music for when the plane takes off the runway and Tom Cruise is on his motorcycle, well, this is it. This leads really nicely into ‘Indecision’.

    Shura’s sound is definitely eighties throwback, with Ms Janet Jackson sprinkling her fairydust over everything. But it’s when the last song of the night kicks in, I realise what was slightly lacking. A few more uptempo tracks.

    When people go to to gigs they want to dance and ‘White Light’ definitely makes you want to do that. (I might be wrong as I recall the evening but there could have been a Madonna sample thrown in to the live mix there). Shura is a new artist and it’s fascinating to see artists change and evolve in the time before they even get to release an album and then between a first and second album. ‘White Light’ seems to be the sound of an artist maturing, getting to know where they want to go, how to manipulate and create to be exactly where they want to be. It works, it’s bloody great live. The following night it got it’s debut on Annie Mac on BBC1.

    Good night’s entertainment, if Shura keeps producing stuff like this, she’ll have a decent career.

  • Watch: Other Lives // Live in Concert // [PIAS] Nites

    Watch: Other Lives // Live in Concert // [PIAS] Nites

    OtherLives

    This week on the radio show, I featured ‘Rituals’ by Other Lives as my Album of the Week. I really like this album and how the band have melded organic acoustic instruments with electronic elements and productions. It’s an easy album to listen to and love, it gently drags you in and swirls you around. You can listen to the entire album on Spotify.

    So the trio from Stillwater, Oklahoma were in France recently doing some promo and played a [PIAS] nites gig. The good folk at Arte Concert filmed it and put it on the web for you to enjoy.

    Grab a cuppa and you’re all set!

    Photo from here by Emily Ulmer

  • Soak // Live at Parlour Skate Shop, Shoreditch, London #‎SOAKSK9SHOW‬

    Soak // Live at Parlour Skate Shop, Shoreditch, London #‎SOAKSK9SHOW‬

    SOAKParlourSkateShop

    Soak: Live at Parlour Skate Shop, Shoreditch, London, February 17th 2015

    In a week when Bridie Monds-Watson announced the June release of her debut album on Rough Trade records, ‘Before We Forgot How To Dream’, the Derry native was spending her time combining her loves of skateboarding and music for some #‎SOAKSK9SHOW‬S, yup, gigs in skate parks and shops.

    I caught her set in Parlour Skate Shop in Shoreditch. With an early door time, myself and my bud headed to the venue and slipped through the front part of the shop, with its rows of skate tops and shirts into a room where Bridie was playing DJ.

    It wasn’t long before the room filled up and everyone manoeuvred themselves into prime viewing location. I think it’s about eight months since I last saw SOAK perform and since then, she has grown into a confident performer.

    SOAK opens with ‘Explosions’ and throughout her set, she eases from acoustic guitar to electric and back. By the second track of the evening, everyone is sitting on the floor, even though, by the time the set is over, we’re all stiff and have pins and needles in our legs, it makes for a far more intimate setting, more like a living room set. Shuvels and Sea Creatures are given an airing and if you’ve seen Soak before, you’ll recognise these songs.

    Bridie has a fantastic way with her lyrics and when she tells that ‘Blud’ is about a time she heard her parents fighting, it kicks in what a talented an mysterious wordsmith she is. There’s no doubt that the tracks she played tonight will all appear on ‘Before We Forgot How To Dream’ and she ends the evening with the song that will be the last track on the album, ‘Oh Brother’, which she tells us has been shortened on the tour to ‘Oh Bro’.

    SOAK is such a talent, with the album release coming up and gigs in New York and Australia announced and selling quickly, this is probably the last time we will see her in a venue of this size. Amazing talent, the world is her oyster.