Tag: Queen

  • Brian May and Kerry Ellis at The Olympia –  Review

    Brian May and Kerry Ellis at The Olympia – Review

    BrianMayKerryEllis

    This was originally published on Goldenplec.com, Brian May and Kerry Ellis at The Olympia Theatre, Dublin, Ireland on June 30th 2013.

    For the past while Brian May has been in the news, not only for his music but also for his love of nature – in particular badgers – speaking out about cullings in the UK. Along with singer Kerry Ellis, May went to South Africa to the Born Free Foundation’s rescue centre for lions. Their love of wildlife preservation led them to record an album, ‘Born Free’, and embark on an intimate tour in late 2012. ‘Acoustic and by Candelight’ is the second part of that tour, with all proceeds going to the Born Free Foundation.

    With that in mind, there’s no better way to raise awareness than to show the waiting audience nature videos before the duo take to the stage. These videos do include some badgers looking rather cute, but also include Brian May’s version of the viral Badger Badger Badger video, complete with a Flash Gordon style vocals and guitar.

    The duo take to the stage to raptourous applause and start the night with a version of I Who Have Nothing, with May on acoustic guitar and Ellis showing off her elegant vocals. Throughout the night, there are heckles from the floor; the usual “I love you“, to which Brian May replies, “I love you too” before mentioning that Kerry also loved the heckler.

    Despite being one of the most instantly recognisable faces in rock, May seems really down to earth and extremely passionate about raising awareness for the Born Free Foundation. He explains that the songs performed on the tour somehow relate to animals, including us human ones. The mood is upbeat and light-hearted, perfect for a Sunday night chill out. After Ms Ellis reminds us that she’s on stage with Dr May, a keyboard player, Craig Adams, is introduced. May tells the audience his regular player has run off to Glastonbury to play with Bruce Forsyth for the weekend, which gets a giggle.

    May and Ellis seem very at ease with each other onstage, and seeing the ease and ability with which May plays guitar is really something that inspires awe. He changes guitar from six string to twelve string and back for different songs, giving each a unique texture.

    With many years experience in the West End, Kerry Ellis hits the right notes all night, and the addition of the keyboard player rounds out the stripped back sound beautifully. During their rendition of Kansas’ Dust in the Wind, the guitar has a slight reverb, while the keys subtly pad out the sound.

    Of course, the audience want to hear Queen songs. May takes the first verse, and Ellis follows on with the rest of Somebody to Love. While May’s guitar playing is in a different league to his singing, it doesn’t diminish the passion for the song from the audience. It gives them the opportunity to sing their hearts out, clap to the beat when the song breaks down, sing as the song’s gospel style refrain builds up and hit the falling notes perfectly as the song ends – magic.

    This tour has given fans of the pair an opportunity to hear some fantastic renditions of songs made famous by other artists. The Beatles’ Tell Me What You See has the two sharing vocals, and even stripped down possesses a hippy sixties vibe. The guitar and keys replace the string section on Barbara Streisand’s The Way We Were, updating the song, and although on a stage in a packed venue, it remains intimate.

    The duo are on stage for almost two hours and take turns with a solo place in the spotlight. This gives Dr May an excuse to bring out a good old electric guitar and of course he has to treat us to an improvised guitar solo, which includes Molly Malone – the audience love it and so does he. Tonight is a night where we get to know a more human side of Dr May. Yes, he bumps into a stool onstage, and yes, he introduces the wrong song on one occasion, but we also hear some of his stories including how Rory Gallagher taught him about guitar amps in the Marquee in London. The biggest audience reaction of the night comes for a dazzling rendition of Tie Your Mother Down. With electric guitar and keys, all we’re missing is some drums for a full on rock show.

    The Olympia audience don’t need much encouragement to stomp their feet and clap their hands for We Will Rock You and it’s infamous guitar solo. While this tour was branded ‘Acoustic and by Candelight’, the electric is still out for recent single, The Kissing Me Song.

    After a short break, Kerry Ellis returns for an encore, her pure vocals highlighting No One but You (Only The Good Die Young) and how operatic Queen’s songs are. Brian May returns to the stage with his electric guitar and lifts the song into a rock realm. The night ends with Crazy Little Thing Called Love, with its infamous acoustic guitar opening sounds huge backed by Craig Adams’ rockabilly keys. It’s a perfect ending to a great night.

    This is a fantastic opportunity for fans of guitar hero, Brian May, to see him work his magic, up close and in an intimate setting. Kerry Ellis’ vocals are flawless, and together the two do have a chemistry that works. Their choice of songs for the evening can’t be faulted, starting off slowly and building the evening up. At the end though, there’s just a nagging feeling that Dr May would much prefer to leave down his acoustic, pick up the electric and rock it out, not just for old times’ sake.

    For your viewing pleasure, here’s the Badger song!

  • We Will Rock You: Live at The O2 Dublin – Review

    We Will Rock You: Live at The O2 Dublin – Review

    wewillrockyouWe Will Rock You : Live at The O2 Dublin – Thursday April 4th 2013

    We all know the extensive appeal of the music of Queen but delivered in a musical format could it still pack a punch? We Will Rock You came for a visit to Dublin’s O2 and despite a ten year West End run and 12 million people attending the show, I still had my reservations.

    The show is based in the future where Earth is now called the iPlanet. Rock n roll is outlawed, there are no instruments and all that exists are boy and girl bands. Underground believers, called ‘Bohemians’ believe that in the past there was a time when people made their own music, this era was called ‘The Rhapsody’. Step forward one brave soul who calls himself ‘Galileo Figaro’ who fires lyrics to fifties rock n roll songs out out of him. He hooks up with a nice girl, who is called, wait for it, ‘Scaramouche’. They battle against the Killer Queen, have to get to the Seven Seas of Rhye.. OK, you get the idea, it’s cheesy as hell.

    Ben Elton’s script is a little bit ‘colour by numbers’. Good guy/Bad Guy, will the guy get the girl? Of the main leads, ‘Scaramouche’ gets all the sarky oneliners while ‘Galileo’ comes across as a little bit moany. There are indicators throughout, which give the impression that the script has been updated as the years have past, character names, song titles not long left the Top 40. The revolving sets were clever and gave a Mad Max vibe to the stage.

    Musically, the first half of the show’s highlight was Scaramouche’s version of ‘Somebody to Love’. It really did take until halfway through the second act to really grab the attention despite the best efforts from the cast with audience interaction. It didn’t help that the venue was half full, desperately pointing out the need for a proper mid sized venue with a huge stage in the capital. A line or two of a Queen song, just isn’t enough, I was wanting more. And so it seemed that’s what the audience around me wanted too, to ‘Rock’ as the title suggests.

    The introduction of the live band and the explosiveness of the finale of ‘We Will Rock You’ and ‘Bohemian Rhapsody’, delivered what I had hoped from the entire show, but it was a little too late. I left a little disappointed, maybe what I wanted was a full live Queen set but then again, who really could even come close to filling Freddie’s shoes?

  • Muse: Survival (Official Olympics Song)

    Muse: Survival (Official Olympics Song)

    It’s a bird, it’s a plane, it’s a hologram of Freddie Mercury? Er no, it’s Matt Bellamy and cohorts with the official Olympics anthem that seemingly pays homage to Queen. If you get The Show Must Go On and add a dash of We Are The Champions/Bohemian Rhapsody and Freddie’s Barcelona and you have ‘Survival’. And to be honest, this isn’t too bad for a track for something official such as the Olympics. I love the prelude, the track has just enough cheddar to cover the event and a great rhythm for an opening ceremony firework display to match.

    EDIT: The IOC have just released this video July 4 2012 – The Countdown is on!

    (original video)

  • Tune of The Week 16/03/2012: Queen

    thesis from http://dananwhiddon.blogspot.com/2011/05/formula-for-making-thesis-statement.htmlThis week has been a little bit mental, the realization that my thesis is due in 8 weeks has truly kicked in. I’m not panicked or anything though, things are moving along nicely and I’ve been chatting to some really interesting people. So, I made myself a list of what needs to be done and thankfully it seems like I’m marking off more each day. This one can mean one thing. I have to sing this when I’m doing it. This week’s Tune of The Week is Queen, with Another One Bites the Dust.