Tag: Robbers

  • Review: The 1975 at Alexandra Palace, London

    Review: The 1975 at Alexandra Palace, London

    The 1975 At Alexandra Palace, London, October 1 2014

    I’ve been waiting to see The 1975 for a while. For one reason or another, I hadn’t had the opportunity to get to see them live until they played the last night of their tour in Alexandra Palace in London.

    Not only was this a first to see the band but also an opportunity to check out Ally Pally as a concert venue. I’ve been there before even while there have been soundchecks going on and to interview bands but never during an actual show.

    Y.O.U. and Circa Waves opened for The 1975, during their sets I took the opportunity to explore the venue, which itself does not disappoint. After passing the ticket check point, you pass into a huge open area with food and bar stalls and a cute green ‘grass’ section in the centre to sit, eat and drink, everything from noodles to burgers and in the main auditorium, even a pizza bar. The queues for loos are really well controlled with the guys loos getting a ladies sign for the night. Plus there’s also free wifi. So all thumbs up for the venue.

    So onto the band. Circa Waves leave the stage and the build up for The 1975 begins. A low bass drone slowly fills the auditorium and the smoke machines have been set to extreme. It’s just after 2130 when the band come on to the stage and unfortunately my heart sinks.

    With a maximum capacity of just over 10000, the main auditorium is a big room (standing only) and unless you’re near the front of the venue, you’re not going to see The 1975. It’s a really silly, stupid move not to have a big screen at the stage in a venue of this size. The Libertines could do so at their show in the same venue a few days before.

    The set kicked off with ‘The City’, and while musically they band were on point, it was impossible for them to connect with anyone near the back of the venue. People were dancing to the music while not even facing the stage, they could have been at home with the stereo on.

    Unfortunately for me, this was a big hurdle to overcome. I loved the The 1975’s album and during the course of a set of nearly 90 minutes, it became apparent that the band would have a kick ass festival set with a decent amount kick ass songs that the audience could sing along too. However, here, the set seemed stretched just a little too far. Matt Healy mentioned a few times on stage that The 1975 were working on a second album too, that should add another couple of hits to a set that unfortunately seems to lag in parts.

    The audience loved the well known / singles with standouts being Robbers, Chocolate and Heart Out but all the energy was at the front of the venue. What made things slightly more annoying was when singer Matt Healy asked the crowd how many were there seeing them for the first time. Probably half the audience. He mentioned that then previously, that section of the crowd would have only seen the band on a screen, so he asked the audience not to use their cameras for the next song. Unfortunately, thanks to the lack of screen at the stage, the only way anyone could see the stage or what was going on was to hold their phones aloft and have a look.

    I understand that the band may not have wanted a screen to take away from their onstage lighting set up, but if you’re playing to that many people, at least you owe them enough to let them see you on stage, even if it’s on a screen. The tickets for the show were £21 plus booking for the next time add another fiver onto that and get a screen lads.

    As many of the audience start legging it down the hill to Alexandra Palace train station, the band play their final song of the night ‘Sex’, which should have been, (no pun intended) in your face from the opening notes.. unfortunately, perhaps due to a technical issue it takes a bit of time for the wow bass factor to kick in.

    No matter how well the Manchester band played or how full the venue was, it doesn’t make this a brilliant night, much to my disappointment. I genuinely love the band’s music but unfortunately the live experience is all about getting a connection, a buzz, something that didn’t happen for me in Ally Pally.

    I’m sorry I didn’t get to see them in February in The Olympia in Dublin. I still bought a tshirt though.

  • The 1975: Album Review

    The 1975: Album Review

    The1975Over the past while, I haven’t had the chance to write as much as I would have liked, what with moving countries and all but one thing about where I am currently in London, is that from when I leave the house to getting to work, I generally have the time to listen to one album.

    One of the album’s that has helped me with my new morning commute is the debut from The 1975. When I reviewed their Sex EP, I wondered about how the band would meld all their sounds instead of heading off in different directions. I like how they’ve dealt with it.

    Matt Healy, Ross MacDonald, Adam Hann and George Daniel are The 1975. They make indie pop music, from Manchester, they have a knack for producing memorable melodies and lyrics, timeless songs, why timeless? There are many elements to their music and production that seem to stem from the 1980’s, like the blue eye soul breaking through ‘Girls’.

    The 1975 CoverEarlier released tracks, ‘The City’ and ‘Sex’ have been given a make over which knocks the rawness off the tracks and takes a little getting used to. But these re-records are part of what make the album a collection, not just random tracks. The other thing that helps achieve this is the spacing in the album.

    16 quality tracks is a lot for any band to produce for a debut. The album is intro-ed by ‘The 1975’, a dreamy one minute twenty. The first part of the album includes ‘The City’, which is very much a ‘band’ song. This is followed by ‘M.O.N.E.Y.’, samples and studio trickery build a sparse but full soundscape.
    At this point, it seems like The 1975 have played all their cards up front, adding ‘Sex’ and ‘Chocolate’. This chapter ends with ‘Talk’, clever drums and lyrics and the trademark vocal lines define this.

    The next section is introduced with ‘Encounter’ an instrumental one minute fifteen which builds up and clearly starts the section of the album. As The 1975 has already been to Number One it’s hard to know how much more promotion could follow in the UK. Last single ‘Girls’ is also in this second part of the album but for these ears The 1975 still have at least one massive card up their sleeve. ‘Robbers’ is an soaring epic track, although ten tracks in, definitely should not be skimmed over. This could be massive.

    ’12’ provides another break in the collection and these prove to be massively effective. ‘She Way Out’ is an uptempo track which could be elevated to single status. The album closes with Matt Healy’s vocals and a piano on the touching ‘Is there someone to watch over you’, which opens with the line ‘We should ring Dad more’. Autobiographical ? Perhaps and if we apply to all these tracks it can probably explain the emotion and sometimes pain which underlines the indie pop.

    A fantastic collection of songs for a debut. People always remember events by music, what song was in the charts, what was on the radio. The 1975 soundtracked my move to London.