Category: Music Review

  • Turn: Live at Whelans 31/08/2012 Review

    Turn: Live at Whelans 31/08/2012 Review

    TurnLiveinWhelans31AugIt’s a Friday night in Dublin, a lot of regular weekend music revelers are spending the weekend in a field in Stradbally in Co. Laois. They have been replaced by droves of College Football fans who are in town for a Notre Dame and Navy NCAA game. It’s also the first time in seven years that indie heroes, Turn, will take to the stage.

    Halfway through August, it was announced that the band would play Electric Picnic but less than 48 hours before the quartet took to the stage, word filtered across the interwebs that they would play a free warm up gig in Whelan’s of Wexford St.

    Doors opened at 9pm and a steady flow of punters piled into the venue. There was a joyous atmosphere as the lights were lowered. As they walked onto stage, Turn received a warm welcome from the up-for-it crowd. ‘Never Needed’ opened proceedings and within seconds you’d wonder if these guys ever stopped playing together. ‘Beretta’ was quickly followed by ‘Antisocial’ the audience singing along to the ‘Babababa’ refrain. The band drop their sound, just so the audience is heard. They look comfortable on stage, lead singer, Ollie, gives a knowing glance and smile to Gavin (bass) and Ciaran (guitar). They were supposed to be there, doing this and getting this adulation from the Whelan’s crowd.

    This really was a ‘greatest hits’ set and with three albums of material, there was no shortage of crowd pleasers. The quality of the songs still shines through, the melodies and the instrumentation proving Turn still to be one of the best Irish bands of the past fifteen years. While it may be a slightly nostalgic trip, Turn still show themselves to be relevant. ‘Summer Song’ still sounds as good as it did nine years ago.

    There’s still the banter from the stage, Ollie Cole giving a shout out to the ‘Kells Massive’ and remembering then that two of the band are actually from Dublin. He also introduces the audience to his new wife Claire and invites her on stage for a little peck.. he’s smiling like a cheshire cat.

    The popularity of the band cant really be called into question on tonight’s showing. With no promotion Whelan’s is full and everyone still singing along. The singing changes to a chant during ‘Queen of my Heart’. One word, ‘Iano’, fills the venue, as drummer Ian Melady’s solo vocal lines begin.

    ‘Beeswax’ gets an airing as Cole describes it as fun to play, it seems like the whole band are having fun anyway. ‘Another Year Over’ ends the eleven song set. Something special had happened, the audience know it and shout for one more tune. There is to be none. That’s it, it’s over. Going on the performance and the audience reaction, this cannot be the end for Turn. Here’s hoping it’s a rebirth.

    TurnSetListWhelans1

  • JD McPherson, Live at Whelan’s Dublin: Review

    JD McPherson, Live at Whelan’s Dublin: Review

    jdmcphersonI actually found it really hard to write this. I enjoyed the gig so much that I didn’t want to appear gushing, but Oh My God! These guys are amazing.

    It’s not just JD, it’s the whole band who make this what it is. Something quite special indeed. You can read my review on Goldenplec.

    JD’s album ‘Signs and Signifiers’ is out now. You can listen to it on Rolling Stone, have a look at the video for ‘A Gentle Awakening’ below.

  • Fossil Collective: Let It Go EP Review

    Fossil Collective: Let It Go EP Review

    For a while within the music industry, E.P.s were a no mans land, caught between a single and a full length album, not having their own stake or claim on any chart. They just existed. Extended Play releases seem to be making a comeback, perhaps down to the fact that with everything being so instant and so fast that it actually really hard to get a listeners attention for ten or twelve tracks. Introduce yourself with five cracking tracks and you’re on a winner.

    Fossil Collective’s Let It Go EP has had me lost for words for a while. The title track opens proceedings with its seventies country folk tinged vibes. Every time I hear the opening of this track, I can’t quite put my finger on it, the hairs stand on the back of my neck. It’s like a favourite blanket that you wrap around you to keep warm on a winter’s night.

    This warmth continues through the E.P., ‘Satellite’ echoing Neil Young vibes circa Harvest Moon. ‘Guaratuba’ has a simple guitar line accompanied by a lone shaker, when the reverbed vocals ease their way into the track, it easily takes you over, so gentle, so subtle.

    The duo from Leeds really have pulled it out of the bag with this E.P., it makes me want to listen over and over again. This collection of songs have been playing for a few weeks now, they are they kind of songs that could easily become the soundtrack to your life.

    Simply beautifully awesome.

    [soundcloud url=”http://api.soundcloud.com/playlists/1772793″ height=”200″ iframe=”true” /]

  • Liz Lawrence: Bedroom Hero Album Review

    Liz Lawrence: Bedroom Hero Album Review

    LizLawrenceBedroomHeroLiz Lawrence is an artist that saw live a couple of times by chance. Firstly as support to Brooke Fraser and then to The Civil Wars, both times in The Sugar Club in Dublin. From there, I had some knowledge of Lawrence’s music. She writes catchy melodies, isn’t down at the mouth/woe is me like a lot of singer/songwriters and when she performs live, seems to dance with her guitar.

    Transferring an upbeat vibe from stage to record can be a challenging task but one that Lawrence seems to have comfortably achieved. The album gently opens with the title track, ‘Bedroom Hero’ an anthemic track that builds and lyrically captures a memory without being too nostalgic.

    This is followed up by the uptempo single ‘Oo Song’, whose melody drags you in, making you sing along before you realize it. This song doesn’t loose the swagger it has live as is the case with ‘Monday Morning’ (which should be a hit, like everywhere on the planet). Both beautifully capture what Lawrence has live and show her to be a clever songwriter.

    The production on ‘Bedroom Hero’ firmly places Lawrence under the indie label. Even on slower tracks, like ‘Bathroom Spoons’, the production can surprise and sometimes be reminiscent of artists such as Feist. That’s not all though as ‘Give Me Comfort’ has a rhythm that could easily cross over into the dance genre.

    This album shows what a good artist Lawrence is and how much potential she has for the future. Tracks like ‘One Day’ deserve to be heard and set her apart from the crowd. An interesting, enjoyable and memorable debut.