Tag: review

  • Review // Gary Barlow: A Better Me

    Review // Gary Barlow: A Better Me

    Review // Gary Barlow: A Better Me

    I’ve found that my commute and trying to alleviate the boredom and my major dislike of commuting was a major factor in the amount of books I’ve read over the past year or so. When the work commutes started I wanted something that I thought would be an easy read and I would have a genuine interest in the story.

    A couple of things to point out here. I’m a proper pop music fan, love it! And indeed, have seen Take That live four times. They make for an amazing night out. But, I’ve always thought of Gary Barlow as a bit of a Daniel O’Donnell. I’ve met Daniel, I like him but always thought of both himself and Gary as, well, grandad type performers.

    ‘A Better Me’ is refreshingly honest from a man who admits he has tried to shun the public side of the music industry for years. Barlow is extremely open about his relationship with food, the good and the bad side that he has experienced. This is littered throughout the book, which on hindsight is perfect, as there are three things at the centre of Barlow’s life, his family, his music and his relationship with food.

    Gary’s story tells how he went from Number 1 to being ‘Down the Dumper’ (like the reference Smash Hits fans?) to rebuilding a career that lead to more opportunities than he could have imagined, including organising the Queen’s Jubilee celebration concert. It also tells of the great Robbie Williams reconciliation and a few stories of what backstage at X Factor was really like.

    Away from the spotlight, ‘A Better Me’ shows us a music nerd, who is always learning more about his craft, his music equipment, taking chances within the music and entertainment industry and in Gary’s case, once remaining true to yourself, having those chances pay off.

    However, no one’s life is all ‘happy in the garden’. In the book, Gary describes what he considers the lowest point of his life, his eating disorder and how he didn’t leave the house after Take That. He also tells of the heartbreaking anguish when he and his wife, Dawn, cradled their stillborn baby Poppy. Gary also tells of the trauma of being caught on a train involved in the 7/7 bombings in 2005 in London, something I was previously unaware of.

    The book shows Gary to be a down to earth kinda guy. Like everyone, he’s had his ups and downs. Most of his have just been in the public eye. It never shys away from what Gary’s truth is, although, it’s very obvious that some of those are very painful. That is passed on to the reader. For a fan, you would definitely have a better idea of what makes the man tick, a more rounded view rather than just his public persona.

    I’m not sure a non pop music fan or non Take That fan would read this book but if he’s got enough people to sell out stadium tours, he’s already got a loyal readership.

  • Review // The Passion of The Playboy Riots at The Hen and Chickens Theatre

    Review // The Passion of The Playboy Riots at The Hen and Chickens Theatre

    The Passion of The Playboy Riots Cast

    Review // The Passion of The Playboy Riots at The Hen and Chickens Theatre

    2016, the centenary of the 1916 Rising, saw a spike in Irish historical plays here in London. Now in 2017, Neil Weatherall’s ‘The Passion of The Playboy Riots’ has been given the space it deserves to get noticed.

    Running in The Hen and Chickens Theatre in Highbury, the play is set backstage at The Abbey Theatre and is centred around conversations between W.B. Yeats, Lady Gregory and Padraig Pearse.
    Starting on opening night of W.B Yeats’ Cathleen Ní Houlihan of 1902, we move to 1907 and J.M Synge’s Playboy of the Western World and finally to 1926 and Sean O’Casey’s The Plough and the Stars.

    A young Pearse is introduced, a barrister, trying to get Yeats to use some of his scripts. This is at a time when Yeats himself is surrounded by self doubt. As the play goes on through time, we see the relationship develop, with Pearse’s initial respect for Yeats changing into heated debate between the two about the future of Ireland. Yeats wanted theatre to spark a change in Ireland.

    If you don’t know much about this era of history, Yeats quotes from the corn laws and this will get you up to speed with the background.

    The staging is simple but works in this setting, using the dark curtain behind them as the curtain backstage at The Abbey, occasionally listening to the goings on that stage. Totally meta. Justin McKenna and Loclann O’Grady look remarkably like Pearse and Yeats which definitely adds to the piece. McKenna is particularly good, showing the changing in Pearse from the young barrister to future revolutionary. Cath Humphrys is very much at home as Lady Gregory.

    At 50 minutes long, the script packs a lot in and it never droops. It also features some very witty one liners. And almost..almost does a Mrs Doyle, here, with whiskey. It is an Irish thing no matter what anyone says.

    I really enjoyed the angle this piece took. We’ve seen films made set behind the scenes when making films. The Passion of the Playboy Riots takes that idea to the stage. A bigger stage and budget would take this to the next level.

    This production is intelligent, witty, and educational. Got an hour to spare? Go check it out.

    The Passion of The Playboy Riots runs at the Hen and Chickens in Highbury until July 8th.

    Thanks to the director of the play, Neil Weatherall, for inviting me to the show.

  • Review: UB40 featuring Ali, Astro and Mickey – Unplugged

    Review: UB40 featuring Ali, Astro and Mickey – Unplugged

    ub40 featuring ali astro and mickey unplugged nessymon.com

    Ali Campbell left UB40 in 2008. He was later joined by Astro and Mickey. They all got together in 2014 to release ‘Silhouette’ under Ali’s moniker, ‘The Legendary voice of UB40 reunited with Astro and Mickey.’ As has happened other bands, legal reasons has prevented them using the original band name so “UB40 featuring..’ is the trios way out of this.

    As well as featuring covers, this ‘Unplugged’ album is the first time that UB40’s catalogue has been stripped back and given the acoustic treatment. The collection opens with ‘Kingston Town’ which features a beautiful Hawaiian sounding acoustic guitar while Ali’s vocals are awash with reverb.

    The tracks we expect to hear from UB40 are there, ‘Red Red Wine’ with a new talk/rap over it, ‘I Can’t Help Falling in Love’ and ‘I Got You Babe’ which features Ali’s daughter, Kaya Campbell on vocals. Sidebar: She’s got a great tone to her voice.

    Pato Banton also makes an appearance on ‘Come Back’. This version of the track has the tempo slowed, which is this album’s greatest downfall. Many of the tracks are too similar in tempo which could easily lead it to fall into background music territory. I just want Pato to get that 1994 original tempo going. This crosses over to ‘Purple Rain’, here, it’s reggae tempo is speeded up.

    ub40 featuring ali astro and mickey unplugged nessymon.comThat’s not saying it’s a bad album. One of the standouts, the trio’s version of ‘Many Rivers to Cross’ features great musical arrangements. Perhaps, with the re-workings the problem is that we are too accustomed to the original versions.

    This makes the decision to include a second disc of all the original UB40 versions slightly baffling. But, with all legal things in the music industry, this may have been part of a deal to use the ‘UB40 featuring’ name. It could also be something to do with another ‘Essential UB40’ album being released earlier this year.

    Back to Disc 1, the ‘Unplugged’ side of things. It’s not a bad collection, though it continues at a steady pace without many hills and troughs. It would be perfect for a long hot day in Summer, with a barbecue going in the garden. There are places where the arrangements flirt with genius, like the drum and bass-esque opening for ‘One in Ten’. I’d love to see this revisited for a full DnB treatment. ‘Rat in Mi Kitchen’ a la 2016 is refreshing and when stripped down could be rebuilt for 2016’s EDM world.

    No doubt, Ali Campbell’s reggae delivers what the UB40 fanbase will love. What they really need is some new material under the ‘UB40 feat’ moniker. I just wish that they hadn’t touched Purple Rain.

    ali campbell ub40 featuring ali astro and mickey unplugged nessymon.com

  • Diary: Avec Sans // Live at Hoxton Square Bar and Kitchen

    Diary: Avec Sans // Live at Hoxton Square Bar and Kitchen

    AvecSans_nessymon_feature © Copyright nessymon

    Avec Sans // Live at Hoxton Square Bar and Kitchen // June 9 2016

    Hoxton Square Bar was the venue for Avec Sans album launch on June 9th, following the release of ‘Heartbreak Hi’ on June 3rd.

    I’ve been a fan of the duo since I heard them first in 2012 and have played them on the radio but tonight was my first time seeing them live.

    The duo, Alice Fox and Jack St James, have a pretty slick live set up. Fox provides the vocals while St James, has a keyboard and three Novation launchpads on stage which face the audience. Apart from letting the audience actually see that you’re hitting a few buttons and triggers, the Launchpads also provide a pretty cool visual, with a preprogrammed light show accompanying each song.

    Those familiar with the pair, will recognise, Shiver, The Answer, When You Go and current single Heartbreak Hi, which to be honest is so bloody catchy, it’s a crying shame it’s not blowing up on every radio station right now.

    Avec Sans describe themselves as an electro pop group. In the past there seems to have been a little bit of snobbery with being called a pop group, of any sort, but these guys have nailed that. They produce really great pop songs, songs that we should be hearing on the radio, songs that have the potential to be very popular.

    The pair are quite a visual band, always appearing in monochrome, and the lengths they go to to maintain the detail is immense, down to having a white microphone cable for contrast.

    The night is finished off with an encore rendition of Kate Bush’s Running Up That Hill, which is simply spectacular.(Listen and Download the studio version here).

    Visually striking, sonically beautiful, the world needs a bit more Avec Sans in their lives.

    Get the album

    Watch the video for Heartbreak Hi.