Tag: review

  • Diary: Shura // Live at KOKO, Camden

    Diary: Shura // Live at KOKO, Camden

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    Shura // Live at KOKO, Camden // Jun 1 2016

    It’s a while since I’ve seen Shura live, last time was the Electric Brixton in September of last year. This gig was originally supposed to be in Shepherd’s Bush Empire but due to renovations, was moved to KOKO. A fact I was kinda happy with, especially as it takes over an hour and a half to get home from Shepherd’s Bush.

    Pumarosa did a fine job of warming up the crowd as they filtered in, but really all 1400 people in the venue wanted to see Shura.

    First stand out of the night for these ears were the choice of pre-gig tunes, 80’s rock galore, Don Henley’s Boys of Summer, Toto’s Africa, Billy Idol’s White Wedding. If this was Dublin, the party would have already started.

    I’m not going to do a song by song review. Shura is really good at what she does. The sound in the venue was a lot better than it had been in Brixton. The band are tight and Shura’s voice seems to be growing in strength. And, to cap it all off, we get every track from Shura’s upcoming album ‘Nothing’s Real’.

    All these mixed with great lights, both from the stage and the trippy house discoball lights that filled the venue, make it all a special night.

    Personally, this was a major pick me up in a week that was pretty shit (more of that to come later), I danced and sang the night away with new best friends. It was also the day that Shura unveiled the new video for ‘What’s it Gonna Be?’ and everyone was feeling the love.

    Highlights – you could tell the tracks people really liked. The phones came out. ‘2Shy’ and ‘Touch’ led the charge. ‘Indecision’ has always been a fave of mine but the more I listen to the Extended Mix of White Light and then hearing it here live, just take it out of this world.

    Everyone needs a night like this at least once a week. Can’t wait for the album.

    …

  • Shura: Live at Electric, Brixton // Review

    Shura: Live at Electric, Brixton // Review

    Shura, Live at Electric Brixton

    Shura, Live at Electric, Brixton, September 17 2015

    It’s been a little over three months since I headed to Brighton to see Shura. In that time, Aleksandra Denton and her band have been honing their set, with a never ending string of dates and festivals. In front of the 1400 punters at Electric Brixton, it’s paying dividends.

    The night was opened by Roseau and Clean Cut Kid. If my information is correct, Roseau hasn’t done that many gigs, but her electronic soul vibes fit in beautifully and Roseau proves herself to be an artist to watch. Onstage, Roseau and her band are visually striking and her use on an old style Shure 55SH microphone, (like the one Elvis used) adds a timeless edge to her set. Check out her album, it’s out now.

    Next up where Clean Cut Kid, known for ‘Vitamin C’. The Liverpool quartet play a solid set, with some great guitar work from the lead singer, who also possesses one of the finest beards I’ve seen this year. Clean Cut Kid are really good at what they do, they have a good rock grounding, layered with melodic instrumentation and vocal lines. At times, it does seem like it could be a slightly odd choice for an opener for the more electronic, Shura but they work well and your scribe would definitely go see them again.

    Shura and her three piece band take to the stage and the growth in confidence is easily seen. Shura is now also playing guitar and seems to like rocking out a bit, duelling with her guitarist. She also seems like she’s now really enjoying what she’s doing and that’s rubbing off on the crowd. For these ears though, I’d cut back on the rubbling bass a little and bring Shura’s voice a little more to the fore in the front of house music mix.

    For a hot sweaty crowd, a reworked down tempo 2Shy, provides a breather. All the tracks we know from Shura are included in tonight’s set, Kids n Stuff, Indecision, Touch, and an epic set ending ‘White Light’. It’s pretty awesome to see an artist grow in stature, and throughout the night, Shura reaffirms her importance on the music scene. The sold out Electric crowd also bear witness to rather awesome, sometimes blindly beautiful lighting.

    Shura is obviously still working on different mixes and structure of songs, which versions make it to an album and which stay only in a live format remains to be seen. Shura, herself, is now playing guitar and dancing around the stage. Her set has grown at an immense rate since last time. This bodes extremely well for the future. I wonder what size venue she’ll play next?

  • Dead Man Down: Film Review

    Dead Man Down: Film Review

    DeadManDown_bannerDead Man Down is Niels Arden Oplev‘s first shot at directing a Hollywood movie. He’s best known for his work in the original ‘The Girl with The Dragon Tattoo’. It’s not surprising then, when Noomi Rapace, who played Lisbeth Salander in the trilogy turns up as the female lead here. In Dead Man Down, she plays Beatrice, a scarred car crash survivor, who lives in the apartment block opposite Victor (Colin Farrell).

    Victor is part of a gang, a modern day mob and along with Darcy (Dominic Cooper) goes investigating into who or why a gang member ended up in the boss’ Alphonse’s freezer. Beatrice sees something she shouldn’t have through Victor’s window and it all kicks off.

    From the trailers released for this film, you get the impression that it’s a more high speed ‘Blow em up’ movie, but there was a lot more depth to it than that. It’s a spiraling maze of planning, plotting and revenge which brings out the best in Colin Farrell’s acting skills as he reveals the depth of his character, Victor. This isn’t Die Hard, even if Noomi Rapace’s character ‘Beatrice’, is at times, a tad too much of whinging damsel in distress.

    Overall, it’s an enjoyable two hours which keeps the viewer engaged, decent story, well shot and a great car chase. Standout was Colin Farrell, it’s a long way from Ballykissangel, but he really deserves to be getting the roles Brad Pitt and George Clooney just saunter into, immense talent.

  • Jameson St Patrick’s Live: Bombay Bicycle Club, Jape and The Cast of Cheers – Review

    Jameson St Patrick’s Live: Bombay Bicycle Club, Jape and The Cast of Cheers – Review

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    March 17 2013. Bombay Bicycle Club, Jape and The Cast of Cheers – Live at The Academy

    I’ll be honest, for the past number of years, I’ve avoided the Dublin city centre on St Patrick’s Day. So when I got an invitation to Jameson Live, I was curious to see what was going on but slightly hesitant at the thoughts of facing St Patrick’s night in the city.

    Heading into The Academy, where the event was taking place, it was quite apparent that this was an event, it wasn’t just a gig. The entrance had been transformed and walking down the hallway, myself and my companion were handed a drink and a burger token each. Nice touch. A pass to the cordoned off bar upstairs meant we got a nice seat on the balcony and a perfect view of the stage, which had been fantastically transformed for the night. A stone like wall with an embedded video screen behind where the band would play was flanked by wooden barrels on either side, very old school distillery. As the crowd waited for the first band to start. We were offered the aforementioned burgers, my meat eating companion is still talking about how good it was.

    The Cast of Cheers were first up and it takes the crowd a couple of tracks to get into it with the band noting that the crowd were ‘a reserved bunch but a great bunch’. Throughout their set, the band show themselves to be competent musicians but Kevin Curran stands out as a potential drumming god. Alongside recent singles ‘Animals’ and ‘Trucks at night’ they play some new material with ‘Closest Friend You Have’ having an early eighties ska reggae feel. They finish their set with the title track from their album, ‘Family’. Good solid performance, looking forward to hearing more of their new material.

    Jape are up next and add to what is gearing up to be a line up with extreme danceability. The audience are now well on course for a good night and ‘Movement’ immediately wins them over with it’s seriously contagious rhythm and refrains. In line with the day that’s in it, the three piece, lead by Richie Egan, have some green hats thrown in their direction, which are worn for a time. Jape are a solid act and have their stage show down to a fine art with the perfect balance of songs in the right place at the right time. ‘Floating’ grabs everyone’s attention but it’s understated intro but when the guitar lines kick in, the whole place kicks off. Finishing off the set with ‘The Oldest Mind’ and ‘Scorpio’, Jape leave the audience hanging, wanting more. Fantastic set from one of Ireland’s premier musical acts.

    With two greats acts having already graced the Academy stage and a waiting audience already partying, Bombay Bicycle Club have big shoes to fill to continue the trend. I shouldn’t have worried, from the opening notes of ‘How Can You Swallow So Much Sleep’, the audience were in the palm of the London band’s palm. Live, the band’s numbers swell to six for certain songs, availing of extra keys/guitar and Amber Wilson’s vocals. Lead singer, Jack Steadman, has a certain look leading me to think that he went to public school and was always one of the good boys. It seems good boys can put on quite a show. Even for outsider who may not be acquainted with the band, and that can happen at events like this, Bombay Bicycle Club are immediately accessible. Even if you don’t know all their songs or lyrics, you can dance to the band, handy in converting new fans.

    Having a back catalogue of three albums means BBC’s set is turned into something of a greatest hits, with songs from their first single, ‘Evening/Morning’ to last year’s ‘Beg’ getting an airing. It’s also a testament to how their career has progressed since their debut EP release in 2007.

    Stand out tracks for this punter were ‘Lights Out, Words Gone’, with its slow disco feel and ‘Ivy and Gold’, and uptempo track which defies you not to move. The band themselves describe it best as they introduce it with ‘Are you ready for a hoedown?’ Dublin apparently was, as the crowd goes nuts. Like The Cast of Cheers, Bombay Bicycle Club take the opportunity to play some new material and promise that as soon as the album is done, they’ll be straight back to Ireland. ‘Carry Me’ is an uplifting dance track, putting BBC in a place where the have become indie music’s Faithless. More of

    As Bombay Bicycle Club leave the stage, they’ve lived up to expectations and together with Jape and The Cast of Cheers have provided us with a great night’s entertainment. As an event, the Academy looked amazing, it was a well run event and the burger idea begs to question why more events don’t have food available, especially over the course of a long night. If Jameson continue to grow their ‘Live’ nights with events of this caliber, they’ll be known for more than their whiskey.

    Jape

    TheCastofCheers

    Thanks to Jameson and Burrell.ie for the passes and the photographs of the night.